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Last Updated: 07 Nov 11

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Julian Fox

JULIAN FOX   (1970 - )

Nationality:   English    Email:   Click here to contact    Website:   Click here to visit

Literary Agent:  n/a

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Plays by Julian Fox

Goodbye Seattle Coffee Company

1st Produced:

The Pit, London

2003

Company:

BITE 03

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#12319

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Cabaret Entertainment

Parts:

Male

1

Female

-

Parts other:

-

Notes:

script developed with Jonathan Lloyd

Synopsis:

Further Reference:

-


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New Spaces For Role Models

1st Produced:

Edinburgh Fringe Festival

2004

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#108801

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

n/a

Parts:

Male

-

Female

-

Parts other:

-

Notes:

-

Synopsis:

A love affair with Gatwick Airport - especially the North Terminal

Further Reference:

-


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Rebranding Mr God

1st Produced:

- - -

- - -

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#108802

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

n/a

Parts:

Male

-

Female

-

Parts other:

-

Notes:

-

Synopsis:

n/a

Further Reference:

-


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You've Got To Love Dancing To Stick To It

1st Produced:

BAC, London, EUR >>>

2006

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#58857

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Piece

Parts:

Male

1

Female

-

Parts other:

-

Notes:

-

Synopsis:

With so much current theatre taking as its subject nothing less than the state of the world today, it is tremendously refreshing to hear Julian Fox muse on life's small triumphs and disasters. Was it, he wonders in You've Got to Love Dancing, a squirrel that took a piece out of his new swimming trunks when he left them in the garden? This delightful solo performer, for whom the word "deadpan" might have been invented, has now gained quite a cult following through his stage shows and late-night musings on Radio Four. Previous stops on Fox's train ride to Quirkiness Central have included chain coffee shops and Gatwick Airport. Now it's the turn of the Brockwell Lido, with detours into cheap flights and internet porn. Dressed in a bathing suit and fiipflops, befitting his summer passed on the Costa del South London, Fox potters Pooterishly about. He reads from his journals, sings along to his own accordion accompaniment and gives a commentary on the video diaries that flash up behind him. He forgets the odd cue, and mislays the occasional prop, but this simply adds to the piece's distinctly low-fl charm. You'll either warm instantly to Fox's panoply of idiosyncrasies, or long for the hour to be up. Bring on the squirrels in shorts, say I.
Fiona Mountford, Evening Standard

Further Reference:

-


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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.