IAN FLINTOFF
| Nationality: | British |
| Literary Agent: *: | n/a |
| Email: | |
| Website: | n/a |
* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.
Plays by Ian Flintoff
Magpie, The |
| 1st Produced: | 1991 | |||||
| Company: | Seize The day | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | Social Drama | - | Parts: | Male | 5 | Female | 1 |
| Parts Other: | doubling possible | |||||
| Notes: | - | |||||
| Synopsis: | Bob Tasker is a middle-aged miner who refuses to join the strike during the 1984 dispute - but also refuses to work. The play looks at the values of friendship, the family and work during this critical moment in recent British history | |||||
Mind the Gap! |
| 1st Produced: | London (Battersea) | 1986 | ||||
| Company: | Unity | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Play/Drama | Parts: | Male | 4 | Female | 1 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | A group of unemployed young men decide to stage Shakespeare's Henry V on the platform at Baker Street station on the London underground. Other strange people and happenings enter their lives in a verbal fireworks with a social slant. | |||||
Woman |
| 1st Produced: | Barons Court, London | 2003 | ||||
| Company: | - | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Play/Drama | Parts: | Male | 1 | Female | 2 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | The celebrated suffragettes Cristobel and Sylvia Pankhurst, prepare for the anticipated revolution in women's rights that they assume is bound to occur sometime during the 1930s. We then jump suddenly to 2006, to Chris and Sylvie in their office interview room. They show us how much, or how little, has changed since their predecessors had such high hopes | |||||