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Stephan Dzherzhinsky

STEPHAN DZHERZHINSKY  

Nationality:    English
email:    n/a     Website:    n/a

Literary Agent:    n/a


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below is a list of Stephan Dzherzhinsky's plays - click on a Play Title for more information

Question Of Rent, A And Tribunal         To Music



Question Of Rent, A And Tribunal

Synopsis:
a Question of Rent. Why does Reg let Gavin off his rent arrears and then give him money? Why does Gavin call Reg 'Daddy'? What did Reg really do in the army? What is the secret organisation that Gavin has to join and who is it's mysterious leader? Why won't Reg allow women in the house, and who are the men who 'bat for a different team'? What has happened to Gavin's paintings and why does he only wear socks with no feet? Ultimately, the only question which really matters in this fast paced one-act black comedy is who is deceiving whom? Tribunal is a disturbing one-act play about the topical subject of detention without charge. a man is interrogated by a tribunal, but how can he defend himself without knowing what he is supposed to have done? Is he just a naive academic, as he claims? Why did his student hack into the government's secret computer system? How much did the wife really know? How ready are people to betray each other? and finally, why are prayers said for the student?

Notes:
-

1st Produced:
-    -

Company:
-

1st Published:
Jasper Publishing Ltd 2007   978-1-905993-56-7

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Comedy, Dark/Black Comedy

Parts:
Male:  2            Female:  -            Other:  -

Further Reference:
-

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To Music

Synopsis:
To Music' is a bitter one-act comedy, with singing. 1M. a singer, 1F. a pianist, with 1M voice only. Featuring the Schubert song 'an die Musik' ('To Music'), the play centres on the unequal struggle between sexual passion and the power of music.

Notes:
-

1st Produced:
-    -

Company:
-

1st Published:
Jasper Publishing Ltd 2007   978-1-905993-37-6

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Play - One act, Comedy

Parts:
Male:  1            Female:  1            Other:  -

Further Reference:
-

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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.