ALICIA DEVINE
| Nationality: | British |
| Literary Agent: *: | n/a |
| Email: | |
| Website: | n/a |
* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.
Plays by Alicia Devine
Burns Night |
| 1st Produced: | 2003 | |||||
| Company: | - | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Play/Drama | Parts: | Male | - | Female | - |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | - | |||||
Loving Burns |
| 1st Produced: | 2009 | |||||
| Company: | - | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | short Monologue | - | Parts: | Male | - | Female | 1 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | a one-person adaptation of 'BURNS NIGHT' play | |||||
When I Was Six |
| 1st Produced: | 2005 | |||||
| Company: | - | |||||
| 1st Published: | ISBN | - | ||||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||||
| Genre: | short Monologue | - | Parts: | Male | - | Female | 1 |
| Parts Other: | - | |||||
| Notes: | part of "I Confess" a series of monologues. These monologues reflect a growing interest in the theme of confession and the subject of other people's lives in contemporary drama and television, including the so-called reality' shows which abound in today's programme schedules. In a live context the experience of direct one to one contact can be alarming and exhilarating by turns. Funny, moving, disturbing and challenging, these monologues will be of interest to actors in search of an audition piece as well as directors on the lookout for a new and highly flexible way of making theatre. - Hugh Hodgart, Head of Acting RSAMD | |||||
| Synopsis: | - | |||||