MALCOLM CLARKE |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Malcolm Clarke |
Memoirs of a Serial Dater | ||
| 1st Produced: | Graham Street Theatre, 24 Graham St, CBD, Auckland | 10 Mar 2011 | ||||
Company: | Auckland Fringe 2011 | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #125990 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Piece | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | - | |||||
Notes: | Written and performed by Malcolm Clarke and Janelle Bish | |||||
Synopsis: | Desperate, dateless, and over the age of 25? Wondering how to meet the love of your life, or at least the lay of your life? Feel like telling Bridget Jones and Ms Carrie Bradshaw to get f@#$%d? Enter status obsessed, camp celebrity-wannabe Carl Maitland, a self-proclaimed dating guru charged with the mission of educating the online society via his brand new webisode series on the ins and outs of dating for the modern day. Carl s goal is quantity not quality, and his fundamental start-up pack for any dating punter is an internet connection, a well doctored profile picture, and a smart phone offering fibre-optic access to potential lovers all day and all night. Carl and his best friend / flat mate Charlie Jane Jones a difficult loner who struggles to conform to societal norms, though mostly just for kicks - are thrown together into a big brother-style scandal when their independent battles for the recognition of their employer turns friend to foe as hidden agendas erupt in an internet assisted stalk-off. Witness moments of ultimate cringe in this hilarious, fast paced theatrical and multimedia mash up that will leave even the hardiest of audience members cringing, and singles both past and present, howling in recognition. | |||||
Further Reference: | - | |||||

