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Michael Chepiga

MICHAEL CHEPIGA  (1948 - )

 Nationality:    USA
email:    n/a     Website:    n/a

Literary Agent:    J Michael Bloom  


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below is a list of Michael Chepiga's plays - click on a Play Title for more information

 All Honorable Men         Getting And Spending         Meeting Of The Creditors Of J Matthew Spengier, The         Stuffed Crocodiles

All Honorable Men

Synopsis:
Story of the court martial of the only black cadet at the United States Military academy at West Point in 1880, who was accused of staging his own brutal beating one night in order to avoid having to take and possibly fail his final exams

Notes:
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1st Produced:

Company:
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1st Published:
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Music:
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If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

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Genre:
Play/Drama

Parts:
Male:  6            Female:  -            Other:  -

Further Reference:
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Getting And Spending

Synopsis:
a brilliant and beautiful investment banker spends $18m from insider trading to build houses for the homeless, her relationships with her lawyer at the subsequent trial subsume all

Notes:
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1st Produced:
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Company:
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1st Published:
Samuel French, NY,    -

Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Comedy drama Comedy

Parts:
Male:  4            Female:  3            Other:  -

Further Reference:
-

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Meeting Of The Creditors Of J Matthew Spengier, The

Synopsis:
about a hapless entrepreneur who gathers his creditors together in order to persuade them not to press him into bankruptcy

Notes:
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1st Produced:

Company:
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1st Published:
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Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Comedy

Parts:
Male:  5            Female:  3            Other:  -

Further Reference:
-

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Stuffed Crocodiles

Synopsis:
about alfred Jarry, eccentric author of Ubi Roi

Notes:
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1st Produced:
Off Off Broadway    -

Company:
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1st Published:
-   -

Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Play Biographical

Parts:
Male:  7            Female:  2            Other:  can BF 3f

Further Reference:
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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.