MARK BULLOCK (1974 - )
| Nationality: | British |
| Literary Agent: *: | n/a |
| Email: | |
| Website: |
* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.
Plays by Mark Bullock
Dracula |
| 1st Produced: | South London Theatre | 2007 | ||
| Company: | South London Theatre | |||
| 1st Published: | - | - | ||
| Genre: | Victorian Horror/Thriller | Thriller | Parts: | Male | 8 | Female | 3 |
| Parts Other: | 3 ensemble | |||
Notes: - | ||||
Synopsis: Jonathan Harker, a young lawyer, travels east across Europe to finalise the purchase of an English estate bought by Count Dracula. At first the count seems the perfect host but Jonathan grows suspicious and starts to uncover the real dark truth behind who or what rather the count really is . . . | ||||
Metal Clouds |
| 1st Produced: | 1999 | |||
| Company: | - | |||
| 1st Published: | - | - | ||
| Genre: | - | Play/Drama | Parts: | Male | 1 | Female | - |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: Alex has upset the flow of the usual commute home. Bloodied and bruised he has to justify to the world why he took such drastic action. | ||||
Mice And Men |
| 1st Produced: | Bedlam Theatre | 2001 | ||
| Company: | Not Quite Reality | |||
| 1st Published: | - | - | ||
| Genre: | - | Adaptation | Parts: | Male | 4 | Female | 1 |
| Parts Other: | - | |||
Notes: An adaptation of John Steinbeck's Of Mice and Men. | ||||
Synopsis: John and David are traveling laborers, having to move from town to town because David keeps getting them into trouble because he has an obsession with touching soft things. This modern adaptation focuses on the relationship between two men, one of huge physical strength but weak mind, protected yet exploited by the other. | ||||
Video Nasty |
| 1st Produced: | South London Theatre | 2004 | ||
| Company: | South London Theatre | |||
| 1st Published: | - | - | ||
| Genre: | - | Play/Drama | Parts: | Male | 2 | Female | - |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: A young man tied to a chair is lectured to by an old man who obsesses over his classic film collection. But all is not what it seems when the gag is finally removed. | ||||