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Last Updated: 23 Nov 11

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Victoria Brittain

VICTORIA BRITTAIN   

Nationality:   n/a    Email:   n/a   Website:   n/a

Literary Agent:  United Agents  

Victoria Brittain, currently a Research Associate at the London School of Economics, has lives and worked as a journalist in Washington, Saigon, Algiers, Nairobi, and London. She worked at 'The Guardian' for 20 years, most recently as Associate Foreign Editor.

Plays by Victoria Brittain

VICTORIA BRITTAIN

Guantanamo

1st Produced:

Tricycle Theatre, London >>>

2004

Company:

n/a

1st Published:

Oberon Books, London >>>,

ISBN/ASIN:

-

Music:

-

doollee no

#39657

To Buy This Play:

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Genre:

Documentary Drama Documentary

Parts:

Male

15

Female

1

Parts other:

-

Notes:

written by Victoria Brittain and Gillian Slovo

Guantanamo

I don't know what crime I am supposed to have committed for which not only I but my wife and children should continually suffer.' British detainee Moazzam Begg. Weaving together personal stories, legal opinion and political debate, 'Guantanamo: Honor Bound to Defend Freedom' looks at the questions surrounding the detentions in Guantanamo Bay, and asks how much damage is being done to Western democratic values during the 'war of terror'.

Further Reference:

-


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VICTORIA BRITTAIN

Meaning of Waiting, The

1st Produced:

Purcell Room, London (as Waiting)

12 Mar 2010

Company:

Southbank Centre in association with Metta Theatre Company

1st Published:

Oberon Books, London >>>

ISBN/ASIN:

978-1849430517

Music:

-

doollee no

#116898

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Documentary

Parts:

Male

-

Female

9

Parts other:

-

Notes:

The production text of Waiting was a modified version of the original The Meaning of Waiting

Meaning of Waiting, The

Eight women tell their stories  using their own words  stories of the unseen fallout of the war on terror in Britain. These are stories of real women, from cultures as varied as Palestine, Senegal , Jordan, Libya, St John's Wood, and the English Midlands. They all came to the UK as refugees, or married refugees here. After 9/11 the world they loved here vanished almost overnight. One after another they were engulfed by isolation and private terror.

Further Reference:

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