CLARE BAYLEY
| Nationality: | n/a |
| Literary Agent: *: | |
| Email: | n/a |
| Website: | n/a |
* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.
Plays by Clare Bayley
Blavatsky |
| 1st Produced: | 1999 | |||||
| Company: | - | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Play/Drama | Parts: | Male | - | Female | - |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | ||||||
Container, The |
| 1st Produced: | 2007 | |||||
| Company: | Nimble Fish/Underbelly/Escalator East To Edinburgh/Creative Partnerships Thames Gateway | |||||
| 1st Published: | ISBN | - | ||||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||||
| Genre: | - | Play/Drama | Parts: | Male | 3 | Female | 3 |
| Parts Other: | - | |||||
| Notes: | Fringe First Award for outstanding new writing on the Edinburgh Festival Fringe | |||||
| Synopsis: | A harrowing, intense drama about people-trafficking, set inside a container lorry. A freight container, somewhere in Europe. Inside are five people with one common aim: to reach England and start a new life. Can they trust the agent to get them there? Can they rely on each other? And how far will each of them go to get what they want? | |||||
Enchantment, The |
| 1st Produced: | 2007 | |||||
| Company: | - | |||||
| 1st Published: | ISBN | - | ||||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||||
| Genre: | - | Adaptation | Parts: | Male | 7 | Female | 5 |
| Parts Other: | - | |||||
| Notes: | Original Playwright - Victoria Bendictsson. from a literal translation by Ben Anderman | |||||
| Synopsis: | Set in Paris in the 1880s, The Enchantment tells the story of Louise Strandberg, a young Swedish woman who finds herself swept up in a passionate and tragic affair with Gustave Alland, famous artist and philanderer. The play is a startlingly honest reflection of the Victoria Benedictsson's own experiences. | |||||
Northern Lights |
| 1st Produced: | New Grove, London | 1994 | ||||
| Company: | - | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Play/Drama | Parts: | Male | - | Female | - |
| Parts Other: | - | |||||
| Notes: | also produced for radio | |||||
| Synopsis: | story of a Kurdish refugee in London | |||||
Shift, The |
| 1st Produced: | 1997 | |||||
| Company: | Academy Productions | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Play/Drama | Parts: | Male | - | Female | - |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | ||||||
Woman Who Swallowed a Pin, The |
| 1st Produced: | Southwark Playhouse, London | 2000 | ||||
| Company: | The Lab | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Play/Drama | Parts: | Male | 4 | Female | 5 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | Site Specific play where the winding corridors and wet and windy courtyard bear the ghosts of a family diaspora, eight children whose mother scattered her unwieldly brood to the four winds. Eighty years on and grandchild Beth is coverting 62 Southwark Bridge Road, site of this theatre, into a loft-style dwelling for the child she carries in her womb, but is fearful that the lethal pin her grandma once swallowed could somehow enter the body of her unborn via the family bloodstream. John Thaxter, What's On | |||||