SUZANNE BACHNER
| Nationality: | n/a |
| Literary Agent: *: | n/a |
| Email: | n/a |
| Website: | n/a |
* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.
Plays by Suzanne Bachner
Bite |
| 1st Produced: | 2005 | |||
| Company: | Dysfunctional Theatre & The John Montgomery Theatre Company | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | Interactive Comedy | - | Parts: | Male | 4 | Female | 4 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: In Bite, comic sex farce meets choose-your-own-adventure. It intertwines the tales of two competing dentists, two dominatrixes, and a Southern belle. The action begins in a sterile 5th Avenue dentist's chair and ends down in the cavities of a secret dominatrix-run dungeon with the audience in control all the way. Unlike most 'interactive' theatre experiences, Bite is intricately scripted and meticulously plotted with multiple outcomes at every turn Press release | ||||
Circle, Icons and Outcasts |
| 1st Produced: | - | - | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: - | ||||
We Call Her Benny |
| 1st Produced: | 2007 | |||
| Company: | FRIGID New York, and The John Montgomery Theatre Company | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | Play/Drama | Parts: | Male | 6 | Female | 4 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: We Call Her Benny features a 10-actor ensemble and bold theatrical techniques to create a visceral, exhilarating, and kaleidoscopic portrait of one adopted womans struggle for identity and intimacy. Themes of replacement and betrayal saturate the play, which explores family, identity, illness, adoption, sexuality and intimacy | ||||