n/a

n/a

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2006

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Play/Drama

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Notes:
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Synopsis:
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2005

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Play/Drama

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4

6 other characters (not exactly specified whether they are females or males)

Notes:
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Synopsis:
The play inspired by the reality show Big Brother has two main dramatic lines, which will fatefully amalgamate with each other in the end. Anna is the main character of the first one, seven scenes of sharp dialogues present her way through the competition, lies, intrigues as well as betrayals on other competitors, but primarily on her ""little sister"" Marie, the main character of the second line. The younger sister is after Anna's departure for the competition put into a mental home, where two scenes take place in which Marie in her monologues explains her extremist opinions on life. The captive environment of the hospital presents a parallel to the situation in the competition villa, when it comes to the contents of communication it is its exact opposite. While the dialogues of the contestants unfold, in a coarsely funny way, the total existential emptiness of the people involved, the monologues of the patients tragically touch today's world and existence. Marie's life ends in a rather puzzling death; she is found hang in the mental home's bathroom. Anna, the star of the show, gathers more points when she refuses to withdraw and bury her sister. While Marie suffered from a dangerous cult, Anna inevitably falls into the influence of media and commercialism. However, she is not conscious of her dependence, at the end of the play she sends a word to her dead sister: ""My dear little sister, you have been badly manipulated by someone."" The play through the story of two orphaned sisters Anna and Marie reflects the two biggest ""ideological"" dangers of today's world and their particular impact on life and relationships within it.

Eliad Library at the Theatre Na zábradlí, Prague

2006

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Play/Drama

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4

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Notes:
The play received the Evald Schorm Award for 2005

Synopsis:
The play by a young playwright Radmila Adamová (from 2005), in its first part very humouredly but in the second rather more sharply, uncovers the influence of media manipulation on the beliefs, behaviour and sentiment of women. It shows the vicious circle of the commercialized and consumer society in which objectionable behaviour is projected from one generation onto another. In the first part of the play, the photo models Ela 1, Ela 2 a Ela 3 are waiting in the studio for their photo shoots. They do not know that all three of them will get the job, so in turns they try to "destroy the rival" mentally as well as physically whereas they do not shrink from going to extremes. Their sometimes almost absurd dialogues are written unusually wittily. Although they keep trying to impress, crucial problems of two of them gradually start to reveal. Ela 1 has health problems while Ela 2 is about to have an interruption. After a long wait the shooting is to begin. They are standing by a white wall in overalls, their faces cannot be seen behind their hoods, they are holding hands and their legs are astride. On each one of them there is a letter. Together it says Ele. The second part takes place in Ela 3's small flat in the evening of the same day. When her paralysed wheelchair-bound mother is unexpectedly brought in for a visit by the nurse Agata, Ela 3's "life truth" unveils. Already as a girl used to being sold by her mother to various advertising campaigns, manipulated, trained up only to be able to catch the fancy of the others, she exercises the same models of behaviour in her adulthood. It manifests itself not only in the relationship with her agent, to whom Ela 3 belongs, but also in the relationship with her own mother. She herself suffers from the way she brought up her daughter. Ela 3 needs to win a "prestigious campaign", so she throws her dying mother ruthlessly out of the flat. The play can very well be staged with four actresses playing more than one part. In this case, it offers very nice, well-balanced acting opportunities for four young actresses.