JEAN-CLAUDE VAN ITALLIE (1936 - )
| Nationality: | American |
| Literary Agent: *: | |
| Email: | n/a |
| Website: |
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Plays by Jean-Claude van Itallie
Almost Like Being |
| 1st Produced: | New York | 1964 | ||
| Company: | - | |||
| 1st Published: | in "War and Four Other Plays", Dramatists Play Service, New York | 1967 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Drama | One Act | Parts: | Male | 3 | Female | 2 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: A delightfully acerbic spoof of the unreal world of show business, and the fradulent sentiment from which it is contrived. Successfully produced on the National Educational Televison Network. | ||||
America Hurrah |
| 1st Produced: | 1965 | |||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | - | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Three 1 Act Plays | One Act | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: INTERVIEW. As Norman Nadel describes "Four masked, smiling interviewers interview a scrubwoman, a house painter, a banker and a lady's maid. It is commonplace and familiar enough, except that suddenly, the most innocent statements are foreboding. As the interviews progress, we are stung by the intensity and viciousness of the contest. The questioners are trying to destroy the dignity of the four clients, and the latter fight to hold their self-respect. It is never resolved. Abruptly the scene changesa street, a subway, a psychiatrist's office, a confessionalbut throughout, this compelling involvement continues. And the sense of familiarity continues as well. We are not seeing something new, except in the bizarre design of the play itself, but we are recognizing something which has been before us all the time. Therein lies the shock effect of AMERICA HURRAH and its power, as well. None of it is happening to others; it is happening to usor rather, it is recalling things that have happened to us. We are thrust into awareness. The insulation burns off, and we have no choice but to perceive." (4M, 4W). TV. As recounted by Walter Kerr of the NY Times: "In a television studio, three very normal workers glance at the monitor now and then, where busy performers with striped facesthey look like so many up-ended zebrasgo through all the violent, cloying, synthetic motions that pass for companionable entertainment on the national airwaves. But there is no relation between the workers and the work; a yawning gulf, big enough to drown us all, has opened between the real concerns of real people and the imaginary concerns of our imaginary archetypes. One of the real workers nearly strangles to death on a bone in his chicken-salad sandwich. But the burly chanteuse who pours affection across the land as though she were an open fire hydrant of boundless goodwill goes right on beaming her thousand good nights. Disaster is irrelevant in a time of eternal delight." And suddenly we become aware of the desperate futility of our efforts to shield ourselves from coming to grips with what is by simulating a cozy escape into what might be. The spectacle is funny, sad and alarming, all at the same time. (4M, 4W). MOTEL. As the NY Post describes: "Three giant colorfully styled dolls, with actors within: a motel landlady on Route 666 and the guy and the blonde, more or less out of IN COLD BLOOD, who have taken a room there for the night. Nobody speaks except the landlady, and she in the excellent recorded Great Plains voice of Ruth White. While the landlady spiels 15 minutes of platitudes about the hooked rugs and self-flushing toilets and other features of her motel, guy doll and blond doll crawl and draw graffiti on doors and walls and rip or smash everything in sight&" to the tune of a booming rock 'n roll number, leading up to a driving, galvanizing finish. And a finish, furthermore, which not only shocks but gives pause. In a real sense we are the mindless dolls, and their actions reflect the ugly impulses which lurk in all of usfinding an outlet in actions which can only leave us feeling ashamed and concerned, and aware of the aching emptiness at the heart of our modern way of life. (3M or 3W in "doll" masks and bodies; off-stage voice). | ||||
Ancient Boys |
| 1st Produced: | Boulder, Colorado | 1990 | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | Play/Drama | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: | ||||
Bag Lady |
| 1st Produced: | New York | 1979 | ||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | 1979 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Drama | One Act | Parts: | Male | - | Female | 1 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: In the words of in the New York Times this is "vintage van Itallie" a perceptive, articulate and always arresting evocation of big city life captured through the complex characterization of an itinerant "bag lady." "The play is not, as one might expect, a literal transcription from the street, but a poetic interpretation by a discerning playwright and actress." NY Times. "What Mr. van Itallie, Ms. Chaikin, and their collaborators have in fact done is give New York City a voice and an image" Village Voice. | ||||
Balcony, The |
| 1st Produced: | Cambridge, Massachusetts | 1986 | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | Adaptation | Parts: | Male | 16 | Female | 8 |
| Parts Other: | - | |||
Notes: Original Playwright - Jean Genet | ||||
Synopsis: - | ||||
Birdbath |
| 1st Produced: | 1966 | |||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: written by Leonard Melfi and Jean Claude Van Itallie | ||||
Synopsis: - | ||||
Cherry Orchard, The |
| 1st Produced: | New York | 1977 | ||
| Company: | - | |||
| 1st Published: | Grove Press, New York | 1977 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | Adaptation | Parts: | Male | 9 | Female | 5 |
| Parts Other: | extras | |||
Notes: Original Playwright - Anton Chekhov | ||||
Synopsis: The action takes place at the country estate of Madame Ranevskaya, an estate famed for its beautiful cherry orchardand soon to be sold at auction unless the delinquent taxes are paid. As the play begins Madame Ranevskaya has returned from Paris, where she has frittered away the last of her fortune on a cynical young lover, and it is soon apparent that neither she, nor her family and friends, can come to grips with the crushing reality which they must face, or truly fathom the loss which threatens them. Instead they continue to go on as if nothing had changed, and only the rich merchant Lopakhin, the nouveau riche son of a peasant, seems to realize the gravity of the situation. Ironically it is he who bids successfully for the estate and who sets his men to felling the trees as, in the bittersweet finale, Madame Ranevskaya departs again for Paris and the fragile promise of a new and perhaps better life. | ||||
Dream |
| 1st Produced: | 1965 | |||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: - | ||||
Early Warnings |
| 1st Produced: | 1983 | |||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | 1983 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Two Related Short Plays | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: includes Sunset Freeway, Final Orders | ||||
Synopsis: In SUNSET FREEWAY, a young actress on her way to an audition is trapped in traffic. Nibbling away at a generous supply of snacks, she primps and chatters on about her life and career hopes, oblivious to the increasingly menacing reports on the car radio of an impending nuclear disaster resulting from computer error. (1 woman). In FINAL ORDERS, two astronauts soaring through space dutifully follow a prearranged daily schedule until even their brief moments of amusement seem programmed. And, just as dutifully and dispassionately, they execute orders to detonate the nuclear device entrusted to their care as they hurtle toward oblivion. (2 men). | ||||
Eat Cake |
| 1st Produced: | Denver | 1971 | ||
| Company: | - | |||
| 1st Published: | in "Seven Short and Very Short Plays", Dramatists Play Service, New York | 1975 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Comedy | One Act | Parts: | Male | 1 | Female | 1 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: A biting satire in which a frowzy housewife, absorbed in her TV is visited by an eccentric rapistwhose demands are somewhat different from what might be anticipated. | ||||
Fable, A |
| 1st Produced: | New York | 1975 | ||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | 1976 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Collaborative Piece | Musical | Parts: | Male | 4 | Female | 4 |
| Parts Other: | - | |||
Notes: music by Richard Peaslee. Created by members of New York's famed Open Theatre | ||||
Synopsis: The action begins, once upon a time, in the village of People Who Fish in the Lake, where everyone longs nostalgically for the Golden Time, when happiness and harmony reigned supreme. In quest of what has been lost the haughty king sends a traveler off in pursuit of the beast that is stifling the kingdoma search filled with uncertainty and lurking terrors. As she progresses in her journey the traveler is beset on every side, and her task grows more complex: How will she find the beast? How will she recognize him? How will she kill him? Scenes of high humor alternate with those of dark menace as she presses on, building inexorably into a brilliant and evocative mosaic which, in the end, distills and expresses the very elements of the life force itself. | ||||
Fear Itself - Secrets of the White House |
| 1st Produced: | 2004 | - | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: - | ||||
Final Orders |
| 1st Produced: | 1983 | |||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | 1983 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | One Act | Parts: | Male | 2 | Female | - |
| Parts Other: | - | |||
Notes: in Early Warnings | ||||
Synopsis: two astronauts soaring through space dutifully follow a prearranged daily schedule until even their brief moments of amusement seem programmed. And, just as dutifully and dispassionately, they execute orders to detonate the nuclear device entrusted to their care as they hurtle toward oblivion. | ||||
Friend On The Street, A |
| 1st Produced: | - | - | ||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | - | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: | ||||
Girl and the Soldier, The |
| 1st Produced: | Los Angeles | 1967 | ||
| Company: | - | |||
| 1st Published: | in "Seven Short and Very Short Plays", Dramatists Play Service, New York | 1975 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Drama | One Act | Parts: | Male | 1 | Female | 1 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: A girl sings; a soldier speaks of love and war; and a sense of the very nature of our tortured universe is poignantly evoked. | ||||
Guys Dreamin' |
| 1st Produced: | Shelburne Falls, Massachusetts | 1977 | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: - | ||||
Harold |
| 1st Produced: | - | - | ||
| Company: | - | |||
| 1st Published: | in "Seven Short and Very Short Plays", Dramatists Play Service, New York | 1975 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Drama | One Act | Parts: | Male | 2 | Female | 1 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: Two doctors examine a patient (played dually by an actor and a dummy) methodically dismembering the dummy to prove that it is in the best of health. | ||||
Hunter And the Bird, The |
| 1st Produced: | New York | 1964 | ||
| Company: | - | |||
| 1st Published: | in "War and Four Other Plays", Dramatists Play Service, New York | 1967 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Drama | One Act | Parts: | Male | 1 | Female | 1 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: Humurous, fantastic, and yet telling in its perceptions, this brief but arresting exercise in absurdist style delights and intrigues both by what is said and what is left unsaid. | ||||
I'm Really Here |
| 1st Produced: | New York | 1964 | ||
| Company: | - | |||
| 1st Published: | in "War and Four Other Plays", Dramatists Play Service, New York | 1967 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Drama | One Act | Parts: | Male | 1 | Female | 1 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: Gay Paris, a young American tourist, a dashing Italian guide, and romanceall handled with a marvelously stylized tongue-in-cheek approach which treats the play as if it were a movie being filmed. | ||||
Interview |
| 1st Produced: | 1965 | |||
| Company: | - | |||
| 1st Published: | in "America Hurrah", Coward McCann, New York | 1967 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Fugue | One Act | Parts: | Male | 4 | Female | 4 |
| Parts Other: | - | |||
Notes: part of American Hurrah. aka Pavane | ||||
Synopsis: As Norman Nadel describes "Four masked, smiling interviewers interview a scrubwoman, a house painter, a banker and a lady's maid. It is commonplace and familiar enough, except that suddenly, the most innocent statements are foreboding. As the interviews progress, we are stung by the intensity and viciousness of the contest. The questioners are trying to destroy the dignity of the four clients, and the latter fight to hold their self-respect. It is never resolved. Abruptly the scene changesa street, a subway, a psychiatrist's office, a confessionalbut throughout, this compelling involvement continues. And the sense of familiarity continues as well. We are not seeing something new, except in the bizarre design of the play itself, but we are recognizing something which has been before us all the time. Therein lies the shock effect of AMERICA HURRAH and its power, as well. None of it is happening to others; it is happening to usor rather, it is recalling things that have happened to us. We are thrust into awareness. The insulation burns off, and we have no choice but to perceive." | ||||
King Of The United States, The |
| 1st Produced: | Off-Off-Broadway | - | ||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | - | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | Play with Music | Parts: | Male | 4 | Female | 3 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: Creating a mosaic of imaginative and stylistically diverse scenes, interspersed with original songs, the author provides a close and revealing examination of our American penchant for selecting leaders who remind us as much as possible of ourselves. Sharply satiric, the action underscores not only the platitudes and tawdriness of American politics, but also the blind reflexiveness of the voters. We do, in effect, get what we deserveand it is increasingly apparent that the line between president and king, democracy and monarchy (or even totalitarianism), has grown slimmer than we might care to contemplate. | ||||
Light |
| 1st Produced: | Pasedena, California | 2004 | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | Play/Drama | Parts: | Male | 2 | Female | 1 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: The sexy, witty love triangle of a king, beautiful scientist marquise, and Voltaire, the most famous man in Europe. A passionate, painful, incandescent voyage to enlightenment and revolution. | ||||
Master And Margarita, or, The Devil Comes To Moscow |
| 1st Produced: | - | - | ||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | - | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | - | Parts: | Male | 11 | Female | 2 |
| Parts Other: | flexible casting | |||
Notes: from the novel by Mikhail Bulgakov | ||||
Synopsis: The devil, his acrobatic cat and other colorful cronies come to Stalin's Moscow to wreak hilarious surreal havoc on the lives of writers, critics and bureaucratniks who have lost touch with their feelings. Satan sends some to the madhouse, stages a devilish play within a play, and gives the lyrical Margarita a whirlwind witch's ride climaxing in a satanic masked ball as she searches for her lover, a writer known as "Master." The novel Master is writing appears simultaneously on stage. His work, politically suppressed, focuses on the moral dilemma of Pontius Pilate in biblical Jerusalem. The characters in his book and the characters on the streets of Moscow, cast similar lights and shadows around them even as they live in separate worlds. | ||||
Medea |
| 1st Produced: | Kent, Ohio | 1979 | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | Adaptation | Parts: | Male | 5 | Female | 2 |
| Parts Other: | extras | |||
Notes: Original Playwright - Euripides | ||||
Synopsis: classic tale of Medea and her love for Jason | ||||
Motel |
| 1st Produced: | 1965 | |||
| Company: | - | |||
| 1st Published: | in "America Hurrah", Coward McCann, New York | 1967 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | One Act | Parts: | Male | 3 | Female | 3 |
| Parts Other: | in "doll" masks and bodies; off-stage voice | |||
Notes: part of American Hurrah | ||||
Synopsis: As the NY Post describes: "Three giant colorfully styled dolls, with actors within: a motel landlady on Route 666 and the guy and the blonde, more or less out of IN COLD BLOOD, who have taken a room there for the night. Nobody speaks except the landlady, and she in the excellent recorded Great Plains voice of Ruth White. While the landlady spiels 15 minutes of platitudes about the hooked rugs and self-flushing toilets and other features of her motel, guy doll and blond doll crawl and draw graffiti on doors and walls and rip or smash everything in sight&" to the tune of a booming rock 'n roll number, leading up to a driving, galvanizing finish. And a finish, furthermore, which not only shocks but gives pause. In a real sense we are the mindless dolls, and their actions reflect the ugly impulses which lurk in all of usfinding an outlet in actions which can only leave us feeling ashamed and concerned, and aware of the aching emptiness at the heart of our modern way of life. | ||||
Mystery Play |
| 1st Produced: | Cherry Lane Theatre, New York | 1973 | ||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | 1973 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Play/farce | - | Parts: | Male | 5 | Female | 3 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: The action is set in the chic living room of a U.S. Senator, during a cocktail party. Present are the Senator; his wife; his schizophrenic bisexual son (played by two actors); a beautiful young woman who may be the son's fiancee; a rather pompous Harvard professor; a quietly efficient butler; and a lady mystery writer from next door. It is the mystery writer who holds the key to the bizarre events that follow, as she explains to the actors and the audience what will happen next and what part each character will play in the action about to follow. At the snap of her fingers each sequence begins, as this one is stabbed, that one drinks poisoned coffee, another is blown upuntil only the mystery writer and the true culprit remain. But, as the "corpses" keep popping up to add to the conversation, the plot continues to thickenproviding both a delightful metaphysical spoof and a scathing assessment of the social and political hypocrisy of our disjointed times. | ||||
Naropa |
| 1st Produced: | New York | 1982 | ||
| Company: | - | |||
| 1st Published: | in "Wordplays 1", Performing Arts Journal Publications, New York | 1980 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: music by Steve Gorn | ||||
Synopsis: | ||||
Nightwalk |
| 1st Produced: | New York | 1973 | ||
| Company: | - | |||
| 1st Published: | in "Open Theater", Drama Book Specialists, New York | 1975 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: written with Sam Shepard and Megan Terry | ||||
Synopsis: | ||||
Pavane |
| 1st Produced: | 1965 | |||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: National Education Television filmed THREE PLAYS FROM LA MAMA. They were PAVANE by Jean Claude Van Itallie, FOURTEEN HUNDRED THOUSAND by Sam Shepard, and THE RECLUSE by Paul Foster. Tom O'Horgan directed the entire program. | ||||
Synopsis: - | ||||
Photographs: Mary and Howard |
| 1st Produced: | Los Angeles | 1969 | ||
| Company: | - | |||
| 1st Published: | in "Seven Short and Very Short Plays", Dramatists Play Service, New York | 1975 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Drama | One Act | Parts: | Male | 1 | Female | 1 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: While their taped voices carry on a random, but revealing, conversation, two people regard each other silentlyas still as two photographs. | ||||