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ADRIAN RODRIGUEZ |
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Nationality: USA Email: Click here to contact Website: n/a |
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Literary Agent: n/a |
Adrian Rodriguez is a founder and current president of the Havana on the Hudson Project. He teaches history in the New Jersey public school system.
Plays by Adrian Rodriguez
Boss | ||
| 1st Produced: | 2006 | |||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #54510 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | part of East Village Chronicles, Volume 3 | |||||
Synopsis: | Metropolitan Playhouse presents Volume 3 of its excellent East Village Chronicles series, featuring new short plays about the Lower East Side neighborhood where the theatre is located. This year's Chronicles celebrate famous and infamous characters from the neighborhood: Peter Stuyvesant, Boss Tweed, Abe Cahan, Lucky Luciano, Charlie Parker, Abbie Hoffman, and Madonna | |||||
Further Reference: | - | |||||
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Cuban Operator Please. . . | ||
| 1st Produced: | 2000 | |||||
Company: | Hudson Exploited Theatre Company | |||||
| 1st Published: | in Plays and Playwrights 2001, The New York Theatre Experience, Inc >>> | ISBN/ASIN: | 09670234-2-4 | |||
| Music: | - | doollee no | #54796 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | 2 | Female | 1 | ||
Parts other: | - | |||||
Notes: | - | |||||
| about a young man dealing with the imminent death of his father is profoundly wise and moving, and it's written with poetic economy. | |||||
Further Reference: | - | |||||
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Dismiss All The Poets | ||
| 1st Produced: | - - - | 2002 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #132368 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | One act | |||||
| Parts: | Male | 4 | Female | 2 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | In Cuba a poet is forced to make a public retraction | |||||
Further Reference: | - | |||||
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La Fabrica | ||
| 1st Produced: | New York City | 2001 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #103056 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | n/a | |||||
Further Reference: | - | |||||
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Mo(u)rning | ||
| 1st Produced: | 2003 | |||||
Company: | The Hudson Exploited Theater Company, Inc | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #56761 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Drama, 100 min | |||||
| Parts: | Male | 7 | Female | 3 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | Set at a 9-11 disaster site but not a "9-11 play", MO(U)RNING concerns two men buried under the rubble unable to move or see. One speaks only Spanish while the other only English. Their struggle to communicate mirrors their struggle to survive as they create a private language between them using shared words that communicate basic truths. MO(U)RNING continues in vignettes following the language game of these victims, the fruitless search of the rescue workers, and the laments of a powerless viewer in front of a television. | |||||
Further Reference: | - | |||||
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