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ANYA REISS (1992 - ) |
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Nationality: British Email: Click here to contact Website: n/a |
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Literary Agent: United Agents (agent: Giles Smart) |
Anya wrote her first play when she was 14 and then became a member of the Royal Court Theatre's Young Writers' Programme. Last year she was invited to take part in the Royal Court's Supergroup of young writers. Her new play, THE ACID TEST, opened at the Royal Court in May 2011 and received rave reviews. Her debut play, SPUR OF THE MOMENT (written when she was 17) opened at the Royal Court Theatre in July 2010. Since then Anya has won the Most Promising Playwright Award at the 2010 Evening Standard Awards, Best New Play at the 2010 TMA Awards and Most Promising Playwright at the 2010 Critics' Circle Awards.
Plays by Anya Reiss
Acid Test, The | ||
| 1st Produced: | Royal Court Theatre, Theatre Upstairs, Sloane Square, London SW1W 8AS >>> | 13 May 2011 | ||||
Company: | n/a | |||||
| 1st Published: | ISBN/ASIN: | 978-1849430456 | ||||
| Music: | - | doollee no | #125760 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Comedy | |||||
| Parts: | Male | 1 | Female | 3 | ||
Parts other: | - | |||||
Notes: | The Acid Test is part of the Royal Court's Jerwood New Playwrights programme | |||||
| Dana, Ruth and Jess down shots to console the heart-broken, to comfort the anxious and just pass the time. Kicked out from the family home Jess's Dad, Jim, invades the party with just as much recklessness as the girls. As the night passes and vodka bottles are emptied, Friday night in becomes high drama. An unruly new comedy asking if age equals maturity | |||||
Further Reference: | Theatre Record Volume XXXI (2011) Issue 11 Page 560 | |||||
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Children's Monologues, The | ||
| 1st Produced: | 14 Nov 2010 | |||||
Company: | n/a | |||||
| 1st Published: | Dramatic Need | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #122549 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | short monologue | |||||
| Parts: | Male | - | Female | 1 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | Dramatic Need (DN) is a UK-registered charity that sends international arts professionals to do workshops in underprivileged and rural communities in sub-Saharan Africa. Gifted, heavyweight actors will perform monologues written by Lynn Nottage, Bola Agbaje, Polly Stenham, Dennis Kelly, Gabriel Bisset-Smith, Oladipo Agboluaje, Zawe Ashton, Joel Horwood, Anya Reiss and Jamie Minoprio, based on autobiographical stories written by the some of the children DN works with. | |||||
Further Reference: | - | |||||
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Spur Of The Moment | ||
| 1st Produced: | 20 Jul 2010 | |||||
Company: | n/a | |||||
| 1st Published: | ISBN/ASIN: | 978-1840029857 | ||||
| Music: | - | doollee no | #105894 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | 2 | Female | 6 | ||
Parts other: | - | |||||
Notes: | - | |||||
| Pre-teen Delilah enjoys High School Musical, swim parties and ogling the lodger. Whilst her parents throw verbal grenades at one another, they barely notice their 21 year old tenant starting to notice her. | |||||
Further Reference: | - | |||||
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Sunday Sermon, A | ||
| 1st Produced: | 10 Oct 2011 | |||||
Company: | n/a | |||||
| 1st Published: | ISBN/ASIN: | 978-1849432276 | ||||
| Music: | - | doollee no | #133145 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | piece | |||||
| Parts: | Male | 1 | Female | - | ||
Parts other: | - | |||||
Notes: | Part of Sixty-Six Books: 21st-century writers speak to the King James Bible. Play is a response to the King James Bible book of Titus | |||||
| The King James Version of the Bible (KJV) is a foundation stone of the English language. The KJV was composed as a collective project and written to be spoken. Sixty-Six Books has been created, in the spirit of the original, in the same way. Pulpit to print; stage to page; mediated through many forms oral and written, the KJV has, since its inception, been a fundamental part of written and spoken English.This is a work that has travelled to every continent of the globe. It has been shared as a melodic instrument of inspiration, illumination and mutual understanding; and it has also been wielded as a tool of colonial oppression. Sixty-Six Books is a fresh interpretation of the KJV for the new millennium, celebrating and challenging the traditions and achievements of this great work on the occasion of its 400th anniversary. The curators of this project have gathered together a formidable and inspiring line-up of the best established and emerging writing talent to produce a new version of the KJV for thetwenty-first century. Each writer has created anew a book of the KJV - as prose, poetry, drama, performance, song, or ground-breaking digital form. Each writer has spoken back to the KJV with untrammeled inventiveness of the imagination. The voices of Sixty-Six Books, drawn from across five continents, innovate, transmute, transpose, reinvent and talk back to four hundredyears of history. All the works that make up Sixty-Six Books are written to be spoken. Culminating in major performance events at the Bush Theatre and Westminster Abbey in 2011 in London, Sixty-Six Books is a contribution towards the mutual curiosity, tolerance, and force of collective enterprise and shared humanity that characterizes the international and ancient arts of writing and spoken performance | |||||
Further Reference: | - | |||||
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