|
|
NICK NORMAN |
|
Nationality: n/a Email: n/a Website: n/a |
|
|
Literary Agent: n/a |
Please send me a biography and information about this Playwright
xxx doollee
Plays by Nick Norman |
Say Hello Children | ||
| 1st Produced: | 2006 | |||||
Company: | Short Order Productions | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #54906 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
|
| ||||||
Genre: | Comedy | |||||
| Parts: | Male | 2 | Female | 3 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | This desperate comedy charts the tragically dotty last wanderings of Alex Edwards and his chaotic family. With a mother who struggles to stay out of bed, a disarmingly sweet sister searching for her dark side, and a grandmother straining to remember where she's actually been for the last 82 years, Alex is dissolute and bent on wicked mischief. When his soldier brother Randy returns to announce his posting to a notoriously bloody conflict, Alex becomes hell-bent on keeping him safe at home. . .at any cost | |||||
Further Reference: | - | |||||
|
She Plundered Him | ||
| 1st Produced: | 2009 | |||||
Company: | INTAR | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #95007 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
|
| ||||||
Genre: | short play | |||||
| Parts: | Male | 2 | Female | 1 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | the boundaries of familial relationships are tested in new and dangerous ways. Calder, already on a mental precipice, is convinced that he saw something unseemly pass between his wife, Keep, and son, Anthony. . .but did he? As Calder's obsessive jealousy spirals out of control and Keep and Anthony lie to him and one another, the family unit threatens to break irreparably. Throughout, the playwright employs heightened classical language infused with harsh vernacular, and the results are harrowing and brutal | |||||
Further Reference: | - | |||||
|
