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ILDIKO NEMETH |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Ildiko Nemeth |
Hypnotik: The Seer Will Doctor You Now | ||
| 1st Produced: | Theater for the New City | 28 Dec 2011 | ||||
Company: | New Stage Theatre Company | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #134942 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama 80 min | |||||
| Parts: | Male | 8 | Female | 6 | ||
Parts other: | - | |||||
Notes: | Author: Ildiko Nemeth, Colm OShea, Marie Glancy OShea | |||||
Synopsis: | In a decadent society, everything is entertainment. This is the world of Hypnotik. At the infamous Palace Theatre, a hypnotist promises psychic healing to volunteers. One by one he beckons his subjects to the stage where under his entrancement they reveal their most abject and malignant drives. But when the self-described "spectacle of raw shame" fails to deliver a group catharsis, the game of shame gives way to horror, as the Seer stares into a whirlwind poised to swallow more than just the Palace and its host. Hypnotik: The Seer Will Doctor You Now is loosely based on the bizarre and intriguing life of the Viennese occultist Eric Jan Hanussen, a celebrity in the Berlin theater scene during the rise of Hitler's Third Reich. | |||||
Further Reference: | - | |||||
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Mapping Mobius | ||
| 1st Produced: | La MaMa First Floor Theatre | 02 Dec 2010 | ||||
Company: | New Stage Theatre Company | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #122260 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 75 min Play/Drama | |||||
| Parts: | Male | 5 | Female | 5 | ||
Parts other: | - | |||||
Notes: | adapted by Colm O'Shea, Marie Glancy-O'Shea, and Ildiko Nemeth | |||||
Synopsis: | In this piece, an aging scientist, realizing his inquiries continually return him to a model of his own mind, devises a set of experiments that blur the distinction between his inner and outer worlds. Mapping Mobius will be presented in a "white box" space with platforms, to be used as a platform for intricate projections and choreography. In the tradition of NSTC productions, the play's style and visual life are derived from the scientific problems addressed by its inspiration, the famed 18th century German mathematician August Ferdinand Mobius. The Mobius strip, named for its theoretician, is a surface with only one side. Most objects have at least two sides: a back and a front (inside and out). Because of the way it twists, a Mobius strip has only one. An ant moving along the "inside" would find itself "outside." An ant moving along the "outside" would find itself "inside" again. In Mapping Mobius, this concept informs the journey of an introspective scientist who feels overwhelmed by his own inescapable interiority. Nearing the end of his career, he comes to the realization that his life's workobjective studyis misguided. He recruits a young girl to help him explore the mysteries of the mind, reasoning that this is where all his models of the world originate. Together they embark on a tour of universal history, making stops to take in the inchoate, pre-linguistic world of plankton; the stories told by dinosaur bones; the electioneering of colonial ants; and the cynical business lectures of a world-weary bee. But they are entering a dangerous realm; as cool observation slides into personal chaos, it becomes clear there's no map for this territory. | |||||
Further Reference: | - | |||||
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Oh, Those Beautiful Weimar Girls | ||
| 1st Produced: | CSV Cultural Center, NY | 2008 | ||||
Company: | New Stage Theatre Company | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #92242 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Musical | |||||
| Parts: | Male | 3 | Female | 10 | ||
Parts other: | - | |||||
Notes: | conceived by Ildiko Nemeth; author Mark Altman | |||||
Synopsis: | With original and classical music, dance and striking stage design, Oh, Those Beautiful Weimar Girls will recreate Anita Berber's life in a series of cabaret-styled performances, including much of her "repertoire of the damned." This play occurs 80 years after her tragic passing and aims, according to playwright Mark Altman, to "capture her indomitable spirit and inspire young and old alike to rage against the night." | |||||
Further Reference: | - | |||||
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Some Historic / Some Hysteric | ||
| 1st Produced: | CSV Cultural Center | 2006 | ||||
Company: | New Stage Theatre Company | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #57132 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | multimedia theater piece | |||||
| Parts: | Male | 1 | Female | 10 | ||
Parts other: | - | |||||
Notes: | conceived by Ildiko Nemeth and Jessica Mitrani | |||||
Synopsis: | Some Historic/Some Hysteric visits the nexus of desire and madness. The multimedia theater piece, part-entertainment, part-exposition, uses a 19th century method for examining hysteria as the departure point of its theatrical conversation. French psychiatrist Dr. Jean-Martin Charcot uses his patients in a Parisian asylum for case studies in hysteria. Under the doctor's discretion, patients perform in his lecture/demonstration's, isolating and acting out aspects of their disease for a curious audience. Nemeth and Grossman refer to the photographic documentation of these lectures and they stretch the imagery to pull beauty from the grotesque. A stark black and white set enhances the claustrophobia of emotional distress and brief flourishes of red costume pulse through the tableaux. A woman cries from the podium of a giant high-heeled shoe as a patient gesticulates silently from a spinning bed; a parade of characters including Freud and Saint Francis of Assisi appears, larger than life on video, reacting to the performance below them. | |||||
Further Reference: | - | |||||
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