NICOLE MOSSOUX |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
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Plays by Nicole Mossoux |
Kefar Nahum | ||
| 1st Produced: | 2010 | |||||
Company: | Compagnie Mossoux Bonte | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #110007 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Piece | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | A mixture of puppetry and mime by this Belgian company created by the performer/manipulator Nicole Mossoux and director Patrick Bonte. Kefar Nahum means the village of Nahum, what the English Bible calls Capernaum, where it locates the home of Jesus's first disciples and which became the centre of his ministry. There are some highly skilled and carefully controlled puppetry that creates a succession of intriguing shapes to a live synthesiser score (composed and played by Thomas Turine) that begins with a low drone that grows to a growl like a strengthening wind. Is this truly The Beginning: primal nothingness? | |||||
Further Reference: | - | |||||

