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KENNY MELLMAN |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Kenny Mellman |
At Least It's Pink | ||
| 1st Produced: | Ars Nova, NY | 2007 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #61867 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Musical | |||||
| Parts: | Male | - | Female | 1 | ||
Parts other: | - | |||||
Notes: | book by Bridgett Everett, Michael Patrick King and Kenny Mellman; music and lyrics by Kenny Mellman and Bridgett Everett | |||||
Synopsis: | It is described as "trashy little show about New York City life through the eyes of a girl from Manhattan, Kansas, who's never afraid to tell it like it is." | |||||
Further Reference: | - | |||||
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Neal Medlyn's Unpronouncable Symbol | ||
| 1st Produced: | 2008 | |||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #86573 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Musical | |||||
| Parts: | Male | 1 | Female | 2 | ||
Parts other: | - | |||||
Notes: | written by Neal Medlyn and Kenny Mellman | |||||
Synopsis: | Neal Medlyn's Unpronounceable Symbol is Neal Medlyn's fourth and largest to date pop song tragic-comedic extravaganza. Following the success of his Lionel Richie Opera, R. Kelly cabaret, and wild and bloody spin on Phil Collins, Medlyn takes on the purple, hyper-sexualized world of Prince. Set to many of Prince's biggest hits and infamous b-sides, all performed onstage by a live band, Neal plays out an evening of seduction and intense internal spiritual conflict between two characters: an engaged cab driver and a messianic libertine. Jealousy, band troubles, violence, death, a dream ballet, descent into hell and the eventual transubstantiation of body fluids, and redemption all find their place in an operatic and overblown evening of androgynous musical entertainment | |||||
Further Reference: | - | |||||
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