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Marcelle Maurette

MARCELLE MAURETTE   (1903 - 1972)

Nationality:   French    Email:   n/a   Website:   n/a

Literary Agent:  n/a

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Adaptation / Translations of Plays by Marcelle Maurette

GUY BOLTON  

Anastasia

1st Produced:

Theatre Royal, Windsor

04 May 1953

Company:

n/a

1st Published:

Bakers Plays, New York, 1956

ISBN/ASIN:

-

Music:

-

doollee no

#3812

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

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abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

One Act

Parts:

Male

8

Female

5

Parts other:

-

Notes:

Original Playwright - Marcelle Maurette

Synopsis:

A waif attempts to persuade the Dowager Empress of Russia that she is her granddaughter and beneficiary to ten million pounds

Further Reference:

Wearing 53.175


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KATE SELLERS  

Anastasia

1st Produced:

Pushkin House, London

18 Dec 2009

Company:

Walking Thoughts Theatre

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#108179

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

8

Female

5

Parts other:

-

Notes:

Original Playwright - Marcelle Maurette, adapted for the stage by Andrei Vironov and Kate Sellers

Synopsis:

In this insightful, finely crafted piece, we are in 1928 Berlin, ten years after the murder of the Romanov family by the Bolsheviks. Rumours are spreading that Anastasia Nikolayevna, the seventeen year old youngest daughter of Tzar Nicholas II, may have survived the firing squad, giving hope to the re-establishment of old Russian values. Businessmen Abramovich, Alexandrovich and The Prince attempt to continue 'milking money from a corpse' in perpetuating the survival myth of the princess. As suggested by an unfinished painting of a regal young woman with missing facial features, they need a girl who will fit the frame enough to convince even the Tsar's mother. Various women have claimed to be Anastasia over the years, although recent DNA evidence has proved this to be impossible.
- Anita Butler, British Theatre Guide

Further Reference:

-


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ANDREI VIRONOV  

Anastasia

1st Produced:

Pushkin House, London

18 Dec 2009

Company:

Walking Thoughts Theatre

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#108180

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

8

Female

5

Parts other:

-

Notes:

Original Playwright - Marcelle Maurette, adapted for the stage by Andrei Vironov and Kate Sellers

Synopsis:

In this insightful, finely crafted piece, we are in 1928 Berlin, ten years after the murder of the Romanov family by the Bolsheviks. Rumours are spreading that Anastasia Nikolayevna, the seventeen year old youngest daughter of Tzar Nicholas II, may have survived the firing squad, giving hope to the re-establishment of old Russian values. Businessmen Abramovich, Alexandrovich and The Prince attempt to continue 'milking money from a corpse' in perpetuating the survival myth of the princess. As suggested by an unfinished painting of a regal young woman with missing facial features, they need a girl who will fit the frame enough to convince even the Tsar's mother. Various women have claimed to be Anastasia over the years, although recent DNA evidence has proved this to be impossible.
- Anita Butler, British Theatre Guide

Further Reference:

-


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