KAREN LANTRY
| Nationality: | n/a |
| Literary Agent: *: | n/a |
| Email: | n/a |
| Website: | n/a |
* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.
Plays by Karen Lantry
First Move, The |
| 1st Produced: | - | 1990 | ||
| Company: | ||||
| 1st Published: | - | - | ||
| Genre: | - | Play/Drama | Parts: | Male | 3 | Female | 2 |
| Parts Other: | - | |||
Notes: Devised and performed by Alan Gannaway, Steve Kelly, Karen Lantry, Stefo Nantsou and Kerry O'Hearn. Created with the assistance of Parents Without Partners. | ||||
Synopsis: a thematic sequel to Shattered Pairsdealing with young people having to cope with parents embarking on new relationships after divorce and separation | ||||
Ghost Planet |
| 1st Produced: | primary school venture | 1989 | ||
| Company: | ||||
| 1st Published: | - | - | ||
| Genre: | Childrens | Youth Audience | Parts: | Male | 3 | Female | 3 |
| Parts Other: | - | |||
Notes: Devised and performed by Rob Dilley, Meg Dunn, Alan Gannaway, Karen Lantry, Stefo Nantsou and Kerry O'Hearn (with Ian Dunn co-devisor) | ||||
Synopsis: an interplanetary cartoon of big business exploitation and astral traveling | ||||
Gossips From Hell |
| 1st Produced: | MayFest in Newcastle, Australia | 1994 | ||
| Company: | ||||
| 1st Published: | - | - | ||
| Genre: | outdoor performance art piece | - | Parts: | Male | 1 | Female | 2 |
| Parts Other: | - | |||
Notes: Devised and performed by Meg Dunn, Jan Hunt and Karen Lantry. Co-devised and directed by Stefo Nantsou | ||||
Synopsis: became a hugely successful high schools touring play about malicious gossip | ||||
Mayhem Zone, The |
| 1st Produced: | - | 1993 | ||
| Company: | ||||
| 1st Published: | - | - | ||
| Genre: | Commedia dell'arte romp for high schools | - | Parts: | Male | 2 | Female | 3 |
| Parts Other: | - | |||
Notes: Devised and performed by Louise Chapman, Rob Dilley, Meg Dunn, Jan Hunt and Karen Lantry | ||||
Synopsis: Utilizing traditional Commedia mask/movement techniques in a contemporary narrative setting, "THE MAYHEM ZONE" began Zeal's interest in the use of masks and the emergence of mask-making specialist Karen Lantry. | ||||