SUE INGLETON
| Nationality: | Australian |
| Literary Agent: *: | n/a |
| Email: | n/a |
| Website: | n/a |
* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.
Plays by Sue Ingleton
After You'Ve Gone |
| 1st Produced: | - | - | ||||
| Company: | - | |||||
| 1st Published: | ISBN/ASIN | - | ||||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||||
| Genre: | Full-Length 100 mins | Play/Drama | Parts: | Male | - | Female | 0 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | - | |||||
Aunts With Hot Flushes |
| 1st Produced: | 2006 | |||||
| Company: | Darlinghurst Theatre Company and Shakespeare et al. | |||||
| 1st Published: | - | ISBN/ASIN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Play/Drama | Parts: | Male | - | Female | 4 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | Music, nostalgia, secrets and lies… sometimes sharing can be the most liberating experience of them all. It’s New Year’s Eve 1959. Three female friends, (and a ring in), gather to celebrate the dawn of the 1960’s, a time filled with the promise of emancipation and change… whether desired or not. The women share a common bond, in that they’re all childless, somewhat set in their ways, and approaching, or in the sweaty throes of menopause. What begins as a light-hearted gathering of female friends swapping familiar tales and singing familiar songs, soon veers into uncharted waters. As many martinis are consumed, defences slip and reminiscence becomes disclosure. Secrets are shared and lies revealed which will change these women’s lives and relationships forever. Suzanne Ingleton’s funny and touching play explores the lives of four women at a time when being childless was synonymous with being frigid, baron, or unattractive. Through humour, song (incluiding "Where The Boys Are", "Que Sera Sera", "White Cliffs Of Dover" and "Three Coins In The Fountain") and the bonds of friendships shared and forged, they cope with loss of opportunity and the 50’s social expectations of women on the eve of feminism. | |||||
Passion, The |
| 1st Produced: | Melbourne | 1995 | ||||
| Company: | - | |||||
| 1st Published: | Sydney : Currency Press in association with Playbox Theatre Centre, Monash University, 1995 | ISBN/ASIN | 0868194328 | |||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||||
| Genre: | Fable | - | Parts: | Male | 2 | Female | 5 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | A voyage of self discovery leads a woman through a fantastic world of vibrant images and events | |||||
Strip Jack Naked |
| 1st Produced: | 1985 | |||||
| Company: | - | |||||
| 1st Published: | - | ISBN/ASIN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | Solo | Play/Drama | Parts: | Male | - | Female | 0 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | ||||||
Sunday Roast, The |
| 1st Produced: | La Mama, Melbourne, Australia | 1995 | ||||
| Company: | La Mama | |||||
| 1st Published: | - | ISBN/ASIN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Play/Drama | Parts: | Male | - | Female | 2 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | There they sit in their three piece suits, each sporting an apron, downing beers and heroicising war and guns whilst putting down women as inferior creatures, yet constantly refering to the real tragedy in their lives - the loss of the women they once loved | |||||