JILL GREENHALGH |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Jill Greenhalgh |
Canu o Brofiad (Voices of Experience) | ||
| 1st Produced: | - - - | 1992 | ||||
Company: | The Magdalena Project | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent, where listed, at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #65453 | |||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | - | ||
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Further Reference: | - | |||||
Child | ||
| 1st Produced: | - - - | 1996 | ||||
Company: | The Magdalena Project | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent, where listed, at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #65454 | |||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
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Further Reference: | - | |||||
Midnight Level 6 | ||
| 1st Produced: | - - - | 1990 | ||||
Company: | The Magdalena Project | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent, where listed, at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #65455 | |||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | - | ||
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Further Reference: | - | |||||
Threat Of Silence, The | ||
| 1st Produced: | Theatr Mwldan, Cardigan, Wales | 09 Sep 2010 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent, where listed, at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #118948 | |||
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Genre: | Piece | |||||
| Parts: | Male | - | Female | - | ||
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Notes: | Under the direction of Jill Greenhalgh, performance artist Eddie Ladd and renowned cellist Nicola Thomas, international video artist Zoe Christiansen, and award winning writer Margaret Cameron bring their considerable talents to this new production. | |||||
Synopsis: | he Threat of Silence is an innovative and dynamic evocation of the languages of quietude and silence. Weaving, video, text, live performance and music this performance creates time and a place of refuge from the escalating bombardment of noise, information overload and escapist trivia satiating contemporary living. Silence in which the possible multiplies. silence in which the distribution of the sensible is remade. Quietude in which we are left thinking, aware of the space which we are left to fill. | |||||
Further Reference: | - | |||||

