JOSH GREENFELD |
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Nationality: n/a Email: n/a Website: n/a |
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With the La MaMa production of THE LAST TWO JEWS OF KABUL LAST SEASON, Josh Greenfeld returns to theatre as a writer after a career as a journalist, critic, novelist, and screenwriter. Mr. Greenfeld was nominated for an Academy Award for the screenplay of HARRY AND TONTO, the film for which Art Carney won the Oscar for the Best Actor; he also wrote the screenplay for OH GOD! BOOK TWO starring George Burns and the teleplay LOVEY: CIRCLE OF CHILD PART II starring Jane Alexander. His play CLANDESTINE ON THE MORNING LINE, after premiering at the Arena Stage in Washington, D.C. was produced Off-Broadway starring Rosetta LeNoir and James Earl Jones. AND I HAVE A DREAM, starring Billy Dee Williams, after opening at Ford's Theatre in Washington and touring the country settled down for a run on Broadway. In addition, he is the author of the novels O for a Master of Magic, The Return of Mr. Hollywood and What Happened Was This. But perhaps Mr. Greenfeld is best known for his prize winning A Child Called Noah trilogy about his brain damaged son, A Child Called Noah, A Place for Noah, and A Client Called Noah.
Plays by Josh Greenfeld
Clandestine On The Morning Line | ||
| 1st Produced: | Arena Stage, Washington, D.C | - - - | ||||
Company: | Humanities Division of the Ford Foundation | |||||
| 1st Published: | Dramatists Play Service, NY, | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #14545 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Comedy Drama Comedy | |||||
| Parts: | Male | 5 | Female | 2 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | As described the NY Post: "CLANDESTINE is a play with a strongly written central character, a middle-aged, thrice-married woman who operates a cheap lunchroom with a bachelor brother. While she is reuniting a pregnant young woman with the young man responsible, she is charmingly passing out her ignorant notions about history and geography. But what she may lack in facts, she makes up in amazing intuition about life. It's obvious that with her involved, everything had to end happily." | |||||
Further Reference: | - | |||||
Generations | ||
| 1st Produced: | 2004 | |||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #62467 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | 2 | Female | 2 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | GENERATION is a play in three scenes spanning a half century dealing with the changes and the constants, geographical and otherwise, in an American Jewish family. | |||||
Further Reference: | - | |||||
Last Two Jews Of Kabul, The | ||
| 1st Produced: | 27 Feb 2003 | |||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #62468 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | 2 | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | THE LAST TWO JEWS OF KABUL, a new play by Josh Greenfeld, directed by George Ferencz, is a two character play based upon a true story. After the fall of Kabul in the autumn of 2001, two Jewish men were discovered in a city that was once home to 40,000 Jews. These alleged "last two Jews" were sharing as their living quarters the ruins of a synagogue -- but not speaking to each other. This is a comic premise and the play is, indeed, rich in humor. But it is not without serious and dramatic overtones. | |||||
Further Reference: | - | |||||

