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THOMAS GIBBONS |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: Abrams Artists Agency |
Thomas Gibbons is playwright-in-residence at InterAct Theatre in Philadelphia, which has produced seven of his plays: Pretending to America, 6221, Axis Sally, Black Russian, Bee-luther-hatchee, Permanent Collection, and A House With No Walls.His plays have been seen at the National Playwrights Conference at the Eugene O'Neill Theatre Center, off-off-Broadway at Blue Heron Theatre, Mixed Blood Theatre, Northlight Theatre, Actors Express, Florida Stage, Unicorn Theatre, Repertory Theatre of St. Louis, Arizona Theatre Company, Center Stage, New Repertory Theatre, Aurora Theatre, and many others. He is the recipient of seven playwriting fellowships from the Pennsylvania Council on the Arts, a Roger L. Stevens Award from the Fund for New American Plays, a Barrie and Bernice Stavis Playwriting Award, two Barrymore Awards for outstanding new play, and a Pew Fellowship in the Arts.
Plays by Thomas Gibbons
6221 | ||
| 1st Produced: | - - - | - - - | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #106863 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Drama | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | MOVE a group that sees itself as a purifying force in a corrupt and racist world had its headquarters bombed in 1985. Eleven people died and sixty-one homes were burnt down | |||||
Further Reference: | - | |||||
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Axis Sally | ||
| 1st Produced: | - - - | - - - | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #106864 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | n/a | |||||
Further Reference: | - | |||||
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Bee-luther-hatchee | ||
| 1st Produced: | InterAct Theatre (Philadelphia, PA, United States) | 1999 | ||||
Company: | n/a | |||||
| 1st Published: | Playscripts, Inc - New York | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #13410 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 90-110 min Play/Drama | |||||
| Parts: | Male | 2 | Female | 3 | ||
Parts other: | 2 males, 3 females (5-8 actors possible: 2-3 males, 3-5 females) | |||||
Notes: | - | |||||
Synopsis: | Shelita Burns, an African-American editor, publishes Bee-luther-hatchee, the autobiography of a reclusive 72-year-old black woman named Libby Price. Shelita has never met Libby, and when the book wins a prestigious award she decides to deliver it to her in person. To her profound shock, the actual author of the book is a white man named Sean Leonard. Furious and resentful, Shelita accuses Sean of perpetrating a hoax, while he defends the book as a truthful work of imagination. Their confrontation, played out on the edge of the racial divide, builds to a jarring act of violence. (This is the first part of a trilogy. See also Permanent Collection and A House With No Walls.) | |||||
Further Reference: | - | |||||
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Black Russian | ||
| 1st Produced: | 1996 | |||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #13411 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: |
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Further Reference: | - | |||||
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Exhibition, the | ||
| 1st Produced: | - - - | - - - | ||||
Company: | n/a | |||||
| 1st Published: | Dramatists Play Service, NY, | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #13412 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Drama One Act | |||||
| Parts: | Male | 2 | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | Centers on the interaction of two men; John Merrick (known as "The Elephant Man") and Sir Frederick Treves, the renowned physician who takes him under his protection. So horribly deformed that he must cover his face and body, Merrick is given shelter at London Hospital, after being abandoned by the ruthless showman who had put him on public display, and his friendship with Dr. Treves, who raises funds for his support, becomes the focus of his life. The action is comprised of parallel monologues, interspersed with scenes between the two men as Treves tries to bring a sense of concern and civility to Merrick's tragic existence, and, in turn, becomes increasingly aware of the deep intelligence and sensitivity which lie behind Merrick's grotesque exterior. The climax of their relationship comes when Merrick, who has never known true human love and contact, asks Treves to touch him, to hold him as a father would a son-but the physician cannot bring himself to do so. It is a failure which foreshadows the end of Merrick's short life and, for Dr. Treves, remains a tortured, enduing memory which haunts him for the rest of his days. | |||||
Further Reference: | - | |||||
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House With No Walls, A | ||
| 1st Produced: | InterAct Theatre Company (Philadelphia, PA, United States) | 2007 | ||||
Company: | n/a | |||||
| 1st Published: | Playscripts, Inc - New York | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #78248 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 100-120 min Play/Drama | |||||
| Parts: | Male | 4 | Female | 2 | ||
Parts other: | 4 males, 2 females (6-9 actors possible: 4-7 males, exactly 2 females) | |||||
Notes: | - | |||||
Synopsis: | A bitter public battle erupts when it is revealed that the site of a new museum enshrining American liberty is the ground on which George Washington's slaves' house once stood. An African-American political activist occupies the site, demanding that the house be recreated as a reminder of the reality of slavery in our history and a memorial to the slaves' lives. He is opposed by a controversial African-American conservative author, who argues that blacks must lay aside their pursuit of victimhood if they are to achieve true equality. Their conflict is juxtaposed against the story of Oney Judge, one of Washington's slaves, as she struggles with the decision of whether to risk everything to escape her bondage. Moving in time between the present and the past, the play explores our relationship to troubling historical reality. How do we decide which elements of our history will be commemorated and which will be forgotten? (This is the third part of a trilogy. See also Bee-luther-hatchee and Permanent Collection.) | |||||
Further Reference: | - | |||||
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Permanent Collection | ||
| 1st Produced: | InterAct Theatre (Philadelphia, PA, United States) | 2003 | ||||
Company: | n/a | |||||
| 1st Published: | Playscripts, Inc - New York | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #60274 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 115-125 min Play/Drama | |||||
| Parts: | Male | 3 | Female | 3 | ||
Parts other: | 3 males, 3 females | |||||
Notes: | - | |||||
Synopsis: | Soon after African-American businessman Sterling North becomes the new director of the Morris Foundation, he discovers that this world-famous art collection includes several significant African sculptures tucked away in storage. His proposal to add them to the public galleries is opposed by the foundation's long-time education director, who is loyal to the idiosyncratic wishes of the late Dr. Morris. Spurred on by a zealous local journalist, this clash quickly escalates to public accusations of racism and a bitter struggle for control of the collection.Permanent Collection is a searing examination of racial politics that ultimately asks how much space -- literally and figuratively -- the white world gives to African-Americans. What is the cost of failing to view the world through another's eyes? (This is the second part of a trilogy. See also Bee-luther-hatchee andA House With No Walls.) | |||||
Further Reference: | - | |||||
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Pretending To America | ||
| 1st Produced: | - - - | - - - | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #106865 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | n/a | |||||
Further Reference: | - | |||||
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