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ELIZABETH GAUBERT |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
xxx doollee
Plays by Elizabeth Gaubert |
Hakunna Matta | ||
| 1st Produced: | Jan 2010 | |||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #109536 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | short dualogue | |||||
| Parts: | Male | - | Female | 2 | ||
Parts other: | - | |||||
Notes: | part of Around The House which took small groups of audience around a series of short site specific duologues in all locations from the disabled loo, to corridors, the cafe, the workshop, and behind the stairs meetings. In all of these nooks and crannies young people are living out their lives and going through the painful, the poignant and the significant moments of existence. | |||||
Synopsis: | profound portrayal of a young woman looking after her elderly mother | |||||
Further Reference: | - | |||||
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Stop, Look, Listen. | ||
| 1st Produced: | theSpaces @ Surgeons Hall, Edinburgh: Fringe Festival, Scotland, EUR >>> | 06 Aug 2010 | ||||
Company: | Big Smoke Productions | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #118400 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | drama, physical theatre | |||||
| Parts: | Male | 2 | Female | 2 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | A street, a road like any other' . . .until one day the neighbourhood is forced to learn from its differences, instead of fighting against them. A lost community. . . one day. . . a tragedy. . . what does it mean to be a neighbour? -- | |||||
Further Reference: | Theatre Record Volume XXXI Issue 08 Page 426 | |||||
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