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MICHAEL GARDNER |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
xxx doollee
Plays by Michael Gardner |
Kung Fu Importance of Being Earnest, The | ||
| 1st Produced: | Sellout festival, NY | 2006 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #55405 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Adaptation | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | Original Playwright - Oscar Wilde | |||||
Synopsis: | unusual take on Oscar Wilde's classic comedy The Importance of Being Earnest. Two English gentlemen in the 1890s secretly use the name 'Ernest' in their double lives. . .until they fall for English ladies who cherish honesty. They settle their differences according to the ancient methods of the Shaolin monks. | |||||
Further Reference: | - | |||||
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Memoirs of My Nervous Illness | ||
| 1st Produced: | 2005 | |||||
Company: | The Brick Theater, Inc. | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #71867 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | Written by Daniel Paul Schreber; Adapted for stage by Michael Gardner | |||||
Synopsis: | Daniel Schreber was a judge in the 1800s. He began to suffer delusions - he thought he was God and he thought he was turning into a woman. He was incarcerated. He kept a journal of his time in the asylum | |||||
Further Reference: | - | |||||
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Notes from Underground | ||
| 1st Produced: | FringeNYC Festival | 1999 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #80803 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Adaptation | |||||
| Parts: | Male | 3 | Female | 2 | ||
Parts other: | - | |||||
Notes: | adaptation of Dostoevysky's dark story | |||||
Synopsis: | Notes from Underground is a five-part dramatic oratorio exploring the Underground Man's desperate masochism. Four actors voice both the character's inner critics and participants in his story. Robert Honeywell, performing Dostoyevsky's legendary anti-hero, returns their fire. Each line is timed to a complex soundtrack of Russian tavern songs and string quartets | |||||
Further Reference: | - | |||||
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