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ERIC DAVIS |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
xxx doollee
Plays by Eric Davis |
Absence of Magic | ||
| 1st Produced: | 2005 | |||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #55392 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Show | |||||
| Parts: | Male | 1 | Female | - | ||
Parts other: | - | |||||
Notes: | created by Eric Davis and Sue Morrison | |||||
Synopsis: | In this show, Eric Davis stars as a bone-thin cantankerous clown, whose neurotic endeavors run the gamut of comic expression. Wildly impish one moment, pathetically gutless the next, he answers the call to an epic adventure only to find himself stranded in a cave for 100,000 years. Surrounded by the skeletons of failed attempts, he must now conquer a disembodied voice as this unlikely hero fends off monsters, struggles to make a name for himself and quests to find the Glove of Never Ending Awesomeness | |||||
Further Reference: | - | |||||
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Bouffon Glass Menajoree | ||
| 1st Produced: | 2007 | |||||
Company: | Ten Directions/ The Brick Theater, Inc. | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #121562 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | by Lynn Berg, Audrey Crabtree, Aimee German and Eric Davis | |||||
Synopsis: | n/a | |||||
Further Reference: | - | |||||
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FrankenClown | ||
| 1st Produced: | New York International Fringe Festival | 2000 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #119724 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | Written by Eric Davis, Audrey Crabtree; Silas Hoover; Nick Jumara; Alex Kipp; Lindsey Lindberg | |||||
Synopsis: | n/a | |||||
Further Reference: | - | |||||
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Red Bastard | ||
| 1st Produced: | Under St Marks, New York | 10 Jun 2010 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #119725 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | 1 | Female | - | ||
Parts other: | - | |||||
Notes: | Written by Eric Davis and Sue Morrison | |||||
Synopsis: | Red Bastard is not clown. He is not here to please you. He has come to make you surrender. Experience this exquisite monstrosity as he delicately leads you through a no-holds-barred theatrical event- demanding to know nothing less than the existential query, Who the hell do you think you are? Lines will be crossed and laughs will be had in this interactive feast of biting wit, mischievous improvisation, and physical prowess. Audiences should be prepared for anything to happen in this interactive show, in which Red Bastard engages the audience in raw conversation, uncovering ridiculous and disturbing truths. | |||||
Further Reference: | - | |||||
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