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Last Updated: 26 Apr 12

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Branwen Davies

BRANWEN DAVIES   

Nationality:   n/a    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Branwen trained as an actress at the Royal Welsh College of Music and Drama and started writing her own performances and plays there. She received a bursary and was mentored by Sgript Cymru for her Welsh language play Dyma Deulu Dedwydd that went on to win the Anglesey Eisteddfod Playwriting award in 2007 and was produced by Theatr Fach Llangefni. Branwen writes in Welsh and English. Professional stage work includes co-writing Dominos for Theatr Genedlaethol Cymru, Exquisite Corpse for True Fiction Theatre Company, The Beginning of the So Called End for Dirty Protest and Cardiff Swan Song for Undeb Theatre. Two of her Welsh language plays - Drama Sa'n Dda De? and O Na Byddai'n Haf o Hyd - have been produced by Llandegfan Drama Society. TV credits include episodes of Caerdydd for Fiction Factory. Online work includes co-creating and writing the online drama Break Free - a Cyfle and Glass Shot productions collaboration. She is co-creator of the the Welsh language theatre company Torri Gair whose first production was Yr Argae, a Welsh translation of Connor Mcpherson's 'The Weir' in 2008. Branwen worked as the literary assistant at Sherman Cymru for three years and was responsible for producing the new writing initiative Script Slam. She is also a script writing tutor having tutored at The University of Wales Trinity Saint David, on Sherman Cymru's New Arrival project working with asylum seekers and refugees in Cardiff and Sherman Cymru's Spread the Word project at Aberystwyth. Branwen has just returned from a gap year in Japan and is currently doing a PhD in new writing at Aberystwyth University and writing a trilogy of plays as part of her research.

Plays by Branwen Davies

BRANWEN DAVIES

Exquisite Corpse, The

1st Produced:

Southwark Playhouse, London, EUR >>>

05 May 2009

Company:

True/fiction theatre company

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#96572

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

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abebooks.co.uk

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Genre:

Piece

Parts:

Male

3

Female

2

Parts other:

-

Notes:

written by Branwen Davies, Angharad Devonald, Tracy Harris, Kit Lambert and Othniel Smith

Synopsis:

Most of us have played a game of consequences at some stage. You draw a head, fold the paper over then pass it on to someone who draws the torso who then folds it over and passes it to someone who draws the legs etc, revealing a rather unusual creation at the end. The surrealists called this game Le Corps Exquisite which is the inspiration for true/fiction Theatre Company's The Exquisite Corpse. However rather than a piece of paper, in this instance it is scenes written by various writers which are performed in a different order each night.
- Rachel Sheridan, British Theatre Guide

Further Reference:

Theatre Record Vol XXIX (2009) Page 0544


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BRANWEN DAVIES

Genki?

1st Produced:

Cardiff: Chapter Arts Centre, Market Road, Canton, Cardiff CF5 1QE >>>

18 Feb 2012

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#139135

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

short play

Parts:

Male

-

Female

-

Parts other:

-

Notes:

Agent 160 Theatre Company: Short plays. Agent 160 is a new company aiming to address the fact that women write just 17 per cent of all theatre work produced in the UK.

Synopsis:

Genki? is a Welsh bilingual study of one woman finding herself abroad
Neil Cooper, Herald

Further Reference:

-


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