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KATHLEEN ANDERSON CULEBRO (1963 - ) |
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Nationality: Mexican/USA Email: Click here to contact Website: n/a |
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Literary Agent: n/a |
Born and raised in Mexico City, Kathleen is the founding Artistic Director of Amphibian Stage Productions. She is the author of Just Because You're Paranoid (Doesn't Mean They're Not Out to Get You), Vincent and The Crying Woman/La Llorona, which premiered off-Broadway at the Beckett Theatre on Theatre Row in February of 2007. Her play A Leopard Complains of Its Spots played off-off-Broadway in New York City in the summer of 2001. Design credits include: (scenic design) Below the Belt, 4 Edges, Leonce & Lena, Three Days of Rain, and Burn This; (costume design) Three Days of Rain, Macbeth, The Lost Moment; (makeup) Icarus, Fuddy Meers, Look Back in Anger, Communicating Doors. At Texas Christian University, Kathleen teaches Stage Makeup. She is a proud member of the Dramatists Guild.
Plays by Kathleen Anderson Culebro
Just Because You're Paranoid (Doesn't Mean They're Not Out to Get You) | ||
| 1st Produced: | Modern Art Museum of Fort Worth | 2006 | ||||
Company: | Amphibian Stage Productions | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #73739 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Cabaret | |||||
| Parts: | Male | - | Female | 1 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | ," "The Good Ones Are Married or Gay," and "Someone's Got It Worse Than You" this one-woman cabaret will have you tapping your toes, snapping your fingers, and scheduling a complete physical as soon as you get home | |||||
Further Reference: | - | |||||
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La Llorona | ||
| 1st Produced: | Beckett Theatre/Theatre Row, New York City | 2007 | ||||
Company: | Stageplays Theatre Company | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #73740 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Drama with music | |||||
| Parts: | Male | 2 | Female | 3 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | A modern retelling of the conquest of Mexico, La Llorona is the story of an American executive assigned by his company to open an American fast food restaurant, for Mexican food, in Mexico City. He and his pregnant wife, a college art professor, relocate to Mexico City and move into the home of a Mexican architect, forced to rent his family's centuries-old mansion to make ends meet and support his own young family. The house is visited by La Llorona, a spirit, who sings her song of sadness in hopes of rescuing the two couples from danger. | |||||
Further Reference: | - | |||||
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Leopard Complains of Its Spots, A | ||
| 1st Produced: | Pantheon Theatre, New York City | 2001 | ||||
Company: | Amphibian Stage Productions | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #73741 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | 4 | Female | 2 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | Carmen and Wil could not be more different. Carmen is Mexican, educated, and willing to work at any job to help support her family. Wil, on the other hand, is American, a college dropout, extremely wealthy, and has never held a job in his life. Even his career as a poet has failed. While Carmen's entire life revolves around her family as her father serves time in jail for speaking out against the Mexican government, Wil's energy is almost exclusively directed toward rebelling against his ultra-conservative father and stepmother. When Carmen takes a job as the VanDusens' housekeeper her life collides with Wil's. | |||||
Further Reference: | - | |||||
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