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FIONA CREESE |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Fiona Creese |
People Show 108 - Flaming Locks | ||
| 1st Produced: | 03 Apr 2000 | |||||
Company: | The People Show | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #135656 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Devised Piece | |||||
| Parts: | Male | 2 | Female | 2 | ||
Parts other: | extras | |||||
Notes: | Devised by Fiona Creese, Alit Kreiz, Amelia Pimlott, ArikHayut, with help from Beth Hardisty, Mark Long, Chahine Yavroyan, Jessica Worrall and Lee Evans | |||||
Synopsis: | turns post natal depression into a metaphor for existence from both points of view: mother and child. | |||||
Further Reference: | Theatre Record Vol XX (2000) Page 0390 | |||||
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People Show 111: The Slide Show | ||
| 1st Produced: | Liverpool: Unity Theatre, 1, Hope Place Liverpool, L1 9BG >>> | 08 Apr 2003 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #8200 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Absurdist Theatre Absurd | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | - | |||||
Notes: | Devised By Nick Tigg And Fiona Creese | |||||
Synopsis: | Two lecturers are thrust into an epic battle to free Dionysus, ancient god of wine and revelry. Gloriously absurd theatre, gravity-defying dance, ingenious set and a singing guinea pig. | |||||
Further Reference: | Theatre Record Vol XXIII (2003) Page 0712 | |||||
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