MARIE CAIN
| Nationality: | n/a |
| Literary Agent: *: | n/a |
| Email: | n/a |
| Website: | n/a |
* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.
Plays by Marie Cain
Big Voice: God or Merman?, The |
| 1st Produced: | Actors Temple Theatre, NY | 2006 | ||||
| Company: | - | |||||
| 1st Published: | - | ISBN/ASIN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | 120 min | Musical | Parts: | Male | 2 | Female | - |
| Parts Other: | - | |||||
| Notes: | written by Jim Brochu and Steve Schalchlin; additional lyrics by Marie Cain | |||||
| Synopsis: | In The Big Voice, Jim and Steve musicalize their relationship and prove that showbiz is as much a calling as the priesthood. This show chronicles the lives of a Baptist from Arkansas and a Catholic from Brooklyn who find eternal salvation in the temple of musical theatre. The Big Voice traces the couple's meeting aboard a ship in the Atlantic Ocean, Steve's struggle with AIDS, the production of their hit Off-Broadway musical The Last Session, their separation, and their reconciliation. It's a comedy about a 'gay marriage' between two men created by the couple themselves. | |||||
Naked Boys Singing |
| 1st Produced: | Celebration Theatre, Los Angeles | 28 Mar 1998 | ||||
| Company: | - | |||||
| 1st Published: | - | ISBN/ASIN | CPCD-1210 | |||
| Music: | Original cast recording: Café Pacific Records (CPCD 1210) | 1998 | ||||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Musical | Parts: | Male | - | Female | - |
| Parts Other: | - | |||||
| Notes: | conceived by Robert Schrock; book, music, and lyrics by Stephen Bates, Marie Cain, Percy Hart, Shelly Markham, Jim Morgan, David Pevsner, Rayme Sciaroni, Mark Savage, Ben Schaechter, Robert Schrock, Trance Thompson, Mark Winkler and Bruce Vilanch. | |||||
![]() | The idea here is simple: there are naked "boys" (men, actually), and they are on stage singing. That's the gimmick of this long-running musical revue, which features musical numbers like "The Naked Maid," "The Bliss of a Bris," "Fight the Urge," "Members Only," and "Muscle Addiction." | |||||
Too Old for the Chorus, but Not Too Old to be a Star |
| 1st Produced: | Celebration Theatre, Los Angeles | 08 May 1999 | ||||
| Company: | - | |||||
| 1st Published: | ISBN/ASIN | 978-0573-69904-7 | ||||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||||
| Genre: | Musical Comedy | - | Parts: | Male | 3 | Female | 2 |
| Parts Other: | - | |||||
| Notes: | Written by Nicholas Wright, Marie Cain and Shelly Markham. | |||||
![]() | Too Old for the Chorus is a smart, funny musical revue about men and women who find themselves suddenly 50! Set in their neighborhood retro coffee shop, five characters express in 18 musical numbers the gamut of their frustrations and joys from troublesome relations with still demanding parents and cutting edge technology to finding delight in second careers (and second chances), getting smarter, and finally knowing that "Age is just a Number." The title celebrates life, finding fulfillment and being appreciated for exactly who you are all while getting a senior discount. | |||||

