|
|
PETER BASCH (1956 - ) |
|
Nationality: USA / Canada Email: Click here to contact Website: Click here to visit |
|
|
Literary Agent: n/a |
Born in NYC, Peter attended the Lycee Français de New York, then Columbia College, where he majored in Physics and spent time with Barnard Gilbert & Sullivan and the Columbia Players. He started pursuing acting and eventually joined the Manhattan Punch Line and Ensemble Studio Theatre. On the strength of the New York Times review of his play, English (It's Where the Words Are), Peter moved to Los Angeles where he met his wife, Ellen Sandler.
Plays by Peter Basch
Art Has Nothing To Tell Us About Science | ||
| 1st Produced: | EST First Light Festival, NYC | 1998 | ||||
Company: | Ensemble Studio Theatre | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #86465 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
|
| ||||||
Genre: | Comedy One act | |||||
| Parts: | Male | 2 | Female | 1 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | Art is a grad student in Physics at an Ivy League college, and his advisor is the very old, reclusive, but recently Nobel Prize winning, physicist, Prof. Reginald Peartree. Dawn studies Performance Art and wants to do a "science" piece based on Peartree's work. Peartree is only too happy to have this attractive young woman pay attention to him - he's suddenly got groupies! Art commits the faux pas of telling Dawn that her piece is full of hot air, that physics is hard and takes years. Peartree becomes enraged, decides that Art can go try studying somewhere else, and dies. Maybe Art and Dawn have a future? | |||||
Further Reference: | - | |||||
|
English (It's Where The Words Are) | ||
| 1st Produced: | 1996 | |||||
Company: | Ensemble Studio Theatre | |||||
| 1st Published: | Smith & Kraus (1998) | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #86466 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
|
| ||||||
Genre: | Comedy One act | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | Joey and Suzy are trapped in a kitchen-sink melodrama world, part Playhouse 90, part Honeymooners, part any play about inarticulate working class mooks (but written by highly articulate upper class folk). Joey struggles to express the inexpressible, and Suzy provides him with the words - "aviary," "credenza," and "putrescence," among others. Joey may not have the words, but he knows everything about Suzy - and many things about the universe (the mass of the neutrino, the true religion, etc.). Joey confesses his greatest fear, that he is not worthy of her love, but she lays those fears to rest. | |||||
Further Reference: | - | |||||
|
Mom | ||
| 1st Produced: | Miles Memorial Playhouse, Santa Monica CA | 2009 | ||||
Company: | EST-LA | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #96775 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
|
| ||||||
Genre: | Comedy | |||||
| Parts: | Male | 2 | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | Howard, mid 40s, hasn't spoken to his widowed mom in years, but suddenly gets a call from the hospital - she's on her deathbed. Howard goes to the old apartment where he grew up, only to meet up with his childhood playmate, Mickey, who has lived downstairs his whole life. Mickey has become close to Howard's mom over the past years. Mickey and Howard go over their childhoods, their mothers, their impending old age, and money. Howard reveals to Mickey that his mom has just died, and they mourn together, and rediscover their old friendship. | |||||
Further Reference: | - | |||||
|
