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JULIA BARDSLEY |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
xxx doollee
Plays by Julia Bardsley |
Aftermaths: A Tear In The meat Of Vision | ||
| 1st Produced: | Laban, London | 2009 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #98281 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Piece | |||||
| Parts: | Male | - | Female | 1 | ||
Parts other: | - | |||||
Notes: | Spill Festival of Performance. The third part of her Divine Trilogy | |||||
Synopsis: | with the audience cast as a congregation, we gather for the party at the end of the universe, an almost religous celebration inspired by the Book of Revelations. | |||||
Further Reference: | - | |||||
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Frankenstein | ||
| 1st Produced: | Haymarket Studio, Leicester | 1992 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #64007 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Adaptation | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | From The Novel By Mary Shelley | |||||
Synopsis: | n/a | |||||
Further Reference: | - | |||||
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Hamlet? | ||
| 1st Produced: | 1994 | |||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #1884 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | Shakespeare Revival | |||||
Synopsis: |
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Further Reference: | - | |||||
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Therese Raquin (Murder By The Seine) | ||
| 1st Produced: | Basingstoke, Haymarket | 2004 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #43697 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Adaptation | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | from novel by Emile Zola | |||||
Synopsis: | meticulous study of the psychological turmoil preceding and following a domestic murder | |||||
Further Reference: | - | |||||
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Trans-Acts | ||
| 1st Produced: | Shunt, London | 2007 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #67041 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Piece | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | Part of Spill, an international festival of experimental theatre. | |||||
Synopsis: | There's a flock of sheep and a shepherd and, depending on your point of view you might even witness a miracle in Julia Bardsley's Trans-Acts. Which was full of suitably religious imagery for Easter. With an audience limited to 12. this performance, which opens the Spill festival, had more than a hint of the Last Supper. Religion and theatre have a great deal in common: ritual, guilt, faith. transgressions and transformations. In Trans-Acts, Bardslev combined the two, and the result was a cross between Theatre of Blood and a Mass. the ridiculous and the mysteriously holy. An actress (shown only on video) made a spectacle of herself watched by a godlike director in a puke-green suit, which unzipped like a lizard skin. A devilish tiny tail peeped out of a pouch at the front of her suit like a furry little penis. Part installation, part exhibition and part performance. there were wounds like red velvet, a creepy ventriloquist's dummy, a suicidal Eve (more slipping on a banana than eating an apple) and falling angels. It sometimes seemed that Andrew Poppy's wonderful music ensured that the devil got all the best tunes. Bardsley's piece celebrates the transformations of theatre and makes you question everything you see. Look one way down a table laid with a series of wine glasses and you witness an accident ending in smashed glass. Look the other, and you are witnessing a miracle, some-thing smashed rendered whole again. | |||||
Further Reference: | - | |||||
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