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JON TUTTLE (1959 - ) |
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Nationality: USA Email: Click here to contact Website: n/a |
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Literary Agent: Robert A Freedman Dramatic Agency |
Jon Tuttle is Playwright-in-Residence and Literary Manager at the Trustus Theatre in Columbia, SC, and Professor of English at Francis Marion University. His plays-which include Drift, The Hammerstone, Terminal Cafe, Sonata for Armadillos and The White Problem--have received over 100 productions and staged readings in 25 states.
Plays by Jon Tuttle
Drift | ||
| 1st Produced: | Trustus Theatre (Columbia, SC, United States) | 1998 | ||||
Company: | n/a | |||||
| 1st Published: | Playscripts, Inc - New York | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #35144 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 110-125 min Play/Drama | |||||
| Parts: | Male | 4 | Female | 3 | ||
Parts other: | 4 males, 3 females | |||||
Notes: | - | |||||
Synopsis: | Faced with proof of his infidelity, Barbara is trying to convince herself to leave Arthur, her husband of thirty years. Meanwhile, back at the bar, a pathetic loser named Lee confesses to marrying and cheating on the same woman three times, and tries to elicit similar confessions from everyone else. "Love is loss," he complains. "Family is pain. Marriage is loneliness. We've all been lied to." In Act I, we wonder who he is, why he says such awful things, and why he always seems to be around when marriages are foundering. In Act II, we find out. | |||||
Further Reference: | - | |||||
Fish Story, A | ||
| 1st Produced: | University of New Mexico Summerfest | 1985 | ||||
Company: | n/a | |||||
| 1st Published: | ISBN/ASIN: | - | ||||
| Music: | - | doollee no | #78827 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Comedy | |||||
| Parts: | Male | 2 | Female | 2 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | George shoots a schnauzer and brings it triumphantly back to Zee, who stuffs his pillowcase with bloody fish parts. Fighting ensues, and the flood water outside is rising. For some reason, teenager daughter Annie dreams of escape from all this. Into their mountain cabin stumbles poor Frank, the perfect replacement for the son they lost. Now if only they can keep him without killing him, too. | |||||
Further Reference: | - | |||||
Hammerstone, The | ||
| 1st Produced: | Trustus Theatre, Columbia, SC | 1994 | ||||
Company: | n/a | |||||
| 1st Published: | Dramatists Play Service, NY, | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #35145 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Comedy Drama Comedy | |||||
| Parts: | Male | 3 | Female | 3 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | At a small college with virtually no admission requirements, two aging professors deal differently, but disastrously, with the students whose S.A.T. scores are lower than their cholesterol counts-and with their own obsolescence. Victor Ransome has long since given up cajoling his classes into paying attention and now uses insults and threats of physical violence. "I can kill you if I want," he tells a student, "I've got tenure." His best-well, only-friend, Murray Stone, still loves teaching, primarily because it fosters his delusions of perpetual youth. Through their offices come a variety of aggravations in the persons of a completely bewildered baseball player, a smitten spinster, and a gorgeous business major, each of whom serve to remind them that in education come various human responsibilities which sometimes supersede actual teaching. By play's end, Murray has understood this lesson. Victor, however, has not, and is, in fact, quite dead. His death underscores the message at the bottom of the play: that | |||||
Further Reference: | - | |||||
Holy Ghost | ||
| 1st Produced: | Trustus Theatre, Columbia, SC | 2005 | ||||
Company: | Trustus Theatre | |||||
| 1st Published: | in The Trustus Plays, Intellect Books, Bristol, UK | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #67336 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | - | Female | 2 | ||
Parts other: | 0-5 | |||||
Notes: | Winner, 2004 Sprenger/Lang Foundation's Nathan Miller History Play Award; 2005 Trustus Playwrights Festival; finalist, 2005 Next Generation Playwriting Competition | |||||
Synopsis: | In 1944, German prisoners-of-war work in South Carolina cotton fields, overseen by black guards who enjoy few of the liberties the prisoners do. One prisoner escapes--armed only with the lines he's learned playing the lead in a camp production of Abe Lincoln in Illinois, and chased by a black private for whom the pursuit is a quest for belonging. Their dash across the American South explores the ironies and hypocrisies of the American mythos. | |||||
Further Reference: | - | |||||
Sonata for Armadillos | ||
| 1st Produced: | Metropolis Players at Producer's Club (New York, NY, United States) | 1990 | ||||
Company: | n/a | |||||
| 1st Published: | Playscripts, Inc - New York | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #35146 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 40-50 min Comedy | |||||
| Parts: | Male | 2 | Female | 1 | ||
Parts other: | 2 males, 1 female | |||||
Notes: | - | |||||
Synopsis: | It's a hot day for three idiots stuck on the Dallas-bound Greyhound bus. Walton wants to be a Cowboy, Nella wants a cowboy, and Stymie's on the run from Stymie -- and just might outrun him. At the end of the road comes sublimity, companionship, and forgiveness, at last. | |||||
Further Reference: | - | |||||
Sweet Abyss, The | ||
| 1st Produced: | Trustus Theatre, Columbia, SC | 2009 | ||||
Company: | Trustus Theatre | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #95676 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Comedy Drama Comedy | |||||
| Parts: | Male | 1 | Female | 2 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | The death of her long-time companion, a cat named Izzy, plunges a woman into a bizarre cycle of grief and change. | |||||
Further Reference: | - | |||||
Terminal Cafe | ||
| 1st Produced: | University of New Mexico | 1997 | ||||
Company: | n/a | |||||
| 1st Published: | Dramatists Play Service, NY, | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #35147 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Comedy Drama Comedy | |||||
| Parts: | Male | 6 | Female | 3 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | In the tiny town of San Gabriel, New Mexico, is the Terminal Cafe where the locals hang out complaining about life, each other, and the food while dreaming about something better. There's the Terminal's tough owner, Ro; the town Super, McKay, from back east; Kate and Ben, the town spitfire and the town tough guy, destined to be together; Dawson, the town pup with more heart than brains; Joe, an illiterate widower, raising his teenage son, BB; the fancy and intriguing Carly, new in town and vague of means; and Floyd, half Navajo, as old or older than the town itself. These are simple people; their lives, up to now, have been untouched, almost pure, yet they have passion for life and for one another, with naivete that can be charming as well as devastating. About all San Gabriel can offer, besides the cafe, is a coal mine, which barely keeps the town alive. But after Pearl harbor is bombed, and World War Two becomes a grim reality, the town's mine becomes important both to the War effort and to the mysterious g | |||||
Further Reference: | - | |||||
White Problem, The | ||
| 1st Produced: | Longstreet Theatre, University of South Carolina (Columbia, SC, United States) | 2001 | ||||
Company: | n/a | |||||
| 1st Published: | Playscripts, Inc - New York | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #35148 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 45-60 min Play/Drama | |||||
| Parts: | Male | 2 | Female | - | ||
Parts other: | 2 males | |||||
Notes: | - | |||||
Synopsis: | The White Problem dramatizes the remarkable life of Richard Greener, the first African-American to graduate from Harvard and one of the leading black intellectuals of the post-Reconstruction era. Facing a future rich with promise, he instead became a pawn in the battle for the hearts and minds of black Americans, was rejected by his wife and children, and died senile and utterly alone. Much of the text -- and the title -- is taken directly from his essays, speeches, and personal papers, and also incorporates the voices of Frederick Douglass, Booker T. Washington, W.E.B. DuBois and others. | |||||
Further Reference: | - | |||||

