BILL SANDERSON
| Nationality: | British |
| Literary Agent: *: | n/a |
| Email: | n/a |
| Website: | n/a |
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Plays by Bill Sanderson
Apples And Pairs |
| 1st Produced: | - | - | ||||
| Company: | - | |||||
| 1st Published: | New Theatre Publications (2003) | ISBN/ASIN | 978-1840944150 | |||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||||
| Genre: | One Act | Play/Drama | Parts: | Male | - | Female | - |
| Parts Other: | - | |||||
| Notes: | written by Bill Sanderson And Emily Thwaite | |||||
| Synopsis: | This is a play about twins and harmony. Two sets of twins are separated - a French baby and an English baby are brought up in France; and the other French Baby and the other English baby are brought up in England. The play explores the relationship between England and France, including a historical scene during the Napoleonic wars and a modern exchange trip between twinned towns. The wider theme of suspicion about foreigners is also exposed. There is lots of humour, a fascinating plot to unwind, and the concluding message "love conquers all" leads to a happy ending. | |||||
Furure Perfect |
| 1st Produced: | - | - | ||||
| Company: | - | |||||
| 1st Published: | Samuel French, London, | ISBN/ASIN | - | |||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||||
| Genre: | Youth | Youth Audience | Parts: | Male | - | Female | - |
| Parts Other: | 25+ | |||||
| Notes: | written by Bill Sanderson and Emily Twaite | |||||
| Synopsis: | Future Perfect imagines a future where a town which is 'Under the Edge' has a connection with a world above it - 'Over the Edge' - but is destroying itself with pollution - until the chi1dl~ decide to save the day. The play was devised with a group of twenty-five children aged between seven and fourteen; it is intended as a blueprint for further improvisation and adaptation | |||||