|
|
TAIT MOLINE |
|
Nationality: USA Email: Click here to contact Website: Click here to visit |
|
|
Literary Agent: n/a |
Born in Minnesota, Tait Moline grew up in Mason City, Iowa, where he began his career at the age of ten playing the titular role in the musical Oliver! for the Steben's Children's Theatre. As a Presidential Scholar, he graduated summa cum laude from Millikin University with a Bachelor of Fine Arts in Musical Theater and Minors in English and Dance. Tait has performed with Rosie O'Donnell, Jacob Young, and John O'Hurley, as well as on The Wayne Brady Showwith Wayne Brady, and can be seen as Danny the Tranny in the major motion picture Sydney White starring Amanda Bynes and John Schneider. In addition to performing, Tait is also an accomplished writer. Awarded "Best Haiku" from Transcontinental Publishing in 2003, his short stories and poems have been published in Collage, Galeria, and Triad as well as in theDan River Anthology. His one-act play You're Being Watched premiered at the 2006 Orlando International Fringe Festival and was subsequently produced at the 2007 DeLand Theatre Festival. Tait currently resides in New York City, New York.
Plays by Tait Moline
Mirage | ||
| 1st Produced: | The Barrow Group Theater // The NYC Network's One-Act Festival | Mar 2010 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent, where listed, at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #113537 | |||
To Buy This Play: | ||||||
|
| ||||||
Genre: | Play/Drama. - - Gay, one act | |||||
| Parts: | Male | 2 | Female | - | ||
Parts other: | - | |||||
Notes: | Running time is about ten minutes. One setting. Gay themes. | |||||
Synopsis: | In the reading room of a local library, a man is forced to confront the facade he's created when he befriends another man and begins to question what his future holds. | |||||
Further Reference: | - | |||||
|
this Functional family | ||
| 1st Produced: | The Barrow Group Theater // The NYC Network's One-Act Festival | Mar 2010 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent, where listed, at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #35934 | |||
To Buy This Play: | ||||||
|
| ||||||
Genre: | Comedy. - - Gay, one act | |||||
| Parts: | Male | 3 | Female | 2 | ||
Parts other: | - | |||||
Notes: | Running time is about fifteen minutes. One setting. | |||||
Synopsis: | The Landon Family is just like any other . . . wonderfully weird and uniquely universal. Karsten waits anxiously for his prom date to arrive while reading about the economy. His mother warns him about drugs and hopes he has condoms; his father wants to bake cookies and sing show tunes; and his sister worries about the environment, even as she pauses, rewinds, and slows down the onstage action through the magic of her remote control. this Functional family is an highly comedic slice-of-life play dealing with family, gender roles, and audience expectations. | |||||
Further Reference: | - | |||||
|
You're Being Watched | ||
| 1st Produced: | Orlando Shakespeare Theater // Orlando International Fringe Festival | Spring 2006 | ||||
Company: | Open House Productions | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent, where listed, at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #113538 | |||
To Buy This Play: | ||||||
|
| ||||||
Genre: | Psychological Drama | |||||
| Parts: | Male | 2 | Female | 2 | ||
Parts other: | 2 (voice-overs) | |||||
Notes: | Running time is about forty-five minutes. Minimal set. | |||||
Synopsis: | In this sci-fi drama, the Government of Dominion rules. Break the law and the Dominion will sentence you to a one-room cell with very little food and no way out. When Astrid, Elinor, Malik, and Nolan are released from their government-induced comas, they find themselves locked together in one of these units as punishment for their crimes. Each has a past they'd rather forget: Malik killed a prostitute who wouldn't cooperate; Astrid killed a child while defending her son; Nolan killed his wife in a delusional rage, and Elinor. . .well, no one knows what Elinor did because she refuses to speak. As the play unfolds, each character must grapple with the choices they've made and the consequences that follow, always aware that they're being watched. In here, everyone has their secrets. And as each individual story comes tumbling out, the prisoners realize they may have more in common then they first realized. | |||||
Further Reference: | - | |||||
|
