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SILVIA MERCURIALI |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Silvia Mercuriali |
Dean Gibbons and the Knowledge of Death | ||
| 1st Produced: | Glasgow: Arches, 253 Argyle Street, Glasgow, G2 8DL, Scotland >>> | 21 May 2010 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #113874 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 60 min Piece | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | - | |||||
Notes: | part of Behaviour Festival. Performed and devised by Silvia Mercuriali and Matt Rudkin with direction by David Woods (Ridiculusmus). Produced by ArtsAgenda and funded by the Arts Council of England. | |||||
Synopsis: | Based on the claims of evolutionary psychology and set amidst the twin threats of Peak Oil and Climate Change, this show combines expert physical theatre, delicate puppetry, fact-packed text and striking visual effects in a darkly comic work of social-science-fiction. | |||||
Further Reference: | - | |||||
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Doublethink | ||
| 1st Produced: | 2005 | |||||
Company: | Rotozaza | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #71748 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Piece | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | - | |||||
Notes: | by Neil Bennun, Ant Hampton, Silvia Mercuriali | |||||
Synopsis: | Rotozaza produces a wholly unique theatrical experience by selecting performers-different every night and often non-professional-who simply agree to follow instructions, live and unrehearsed. For them, challenging audiences to distinguish professional actors from non-actors and rehearsed action from spontaneous reaction celebrates theater by identifying 'what can only be done live.' In Doublethink, two completely unrehearsed 'guest' performers follow instructions from a recorded voice with a divider between them. As a result, the performers can't see each other, yet the audience sees both sides. Warped and mischievous, Doublethink is a story-cum-experiment about freedom, the farce of self-knowledge and our preference, at times, to be told what to do. In 5 in the Morning, three willing 'guests' similarly take instructions from the loudspeakers of Aquaworld, an enormous swimming pool complex. Clothed in swimsuits and clutching towels, the participants do what they're told. At first hilarious and fun, their predicament transforms slowly into a strange and powerful reality. | |||||
Further Reference: | - | |||||
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Etiquette | ||
| 1st Produced: | 2007 | |||||
Company: | Rotozaza | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #54509 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 30 min Piece | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | - | |||||
Notes: | written and devised by Ant Hampton and Silvia Mercuriali | |||||
Synopsis: | Etiquette is a do-it-yourself performance for two people in a cafe or public space. Instructions via headphones tell participants what to say and do. With simple conversation, actions and miniature props, a magical event unfolds. A young woman and a philosopher lead you into situations that explore the private worlds shared between two people. The piece cleverly shifts the dynamics between you, your partner and the voices of your mysterious protagonists; exposing human communication as a kind of theatre in which 'audience' and 'actor' roles are subtly assumed and exchanged. You are totally immersed in the experience, aware yet unaware that you are the performance. Thought-provoking and emotionally immediate, Etiquette takes audience participation to an entirely new level. | |||||
Further Reference: | - | |||||
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Five In The Morning | ||
| 1st Produced: | 2006 | |||||
Company: | Rotozaza Theatre Company | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #71749 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Piece | |||||
| Parts: | Male | 2 | Female | 1 | ||
Parts other: | - | |||||
Notes: | created by Ant Hampton, Greg McLaren, Silvia Mercuriali, Melanie Wilson | |||||
Synopsis: | The swimming pool of life is not all it appears to be. | |||||
Further Reference: | - | |||||
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Wondermart | ||
| 1st Produced: | - - - | 2009 | ||||
Company: | Rotozaza | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #124321 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Piece | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | Burst Festival Season Of New Work. Devised by Silvia Mercuriali | |||||
Synopsis: | Rotozaza's slyly suggestive Wondermart plunges you into the bustle of the supermarket. Pushing your trolley around with headphones issuing instructions, you find yourself watching the shoppers very hard, being told how to milk a cow by the dairy counter and contemplating shop-lifting. Suddenly you realise that you, the watcher, is being watched. | |||||
Further Reference: | - | |||||
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