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BRAD KNEWSTUBB |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
xxx doollee
Plays by Brad Knewstubb |
APOLLO 13: Mission Control | ||
| 1st Produced: | Downstage Theatre, Wellington | 27 Feb 2010 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #121174 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | sci-fi Piece | |||||
| Parts: | Male | 5 | Female | - | ||
Parts other: | female voice | |||||
Notes: | Co-creator/Director: Kip Chapman; Co-creator/Designer: Brad Knewstubb | |||||
Synopsis: | Trapped 200,000 miles from earth, three astronauts fight for their lives. An explosion has ripped through their space craft and they are quickly running out of oxygen, power and hope. At Mission Control the audience sits at their consoles, all working with Flight Director Gene Kranz, trying to get them home. | |||||
Further Reference: | - | |||||
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Participate: You Know You Want To | ||
| 1st Produced: | 2008 | |||||
Company: | Stab Season 08 | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #112203 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | sci-fi Piece | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | Co-creator/Director: Kip Chapman; Co-creator/Designer: Brad Knewstubb | |||||
Synopsis: | Gene Krantz, the man in charge of Mission Control, is -as always - Jason Whyte. And our participation (entirely voluntary) is absolutely essential to the progress of the plot. At one point - when all the bosses have left the room - if one of us doesn't step forward to take the headset that communicates with the module, the entire enterprise will surely fail. Yes. That's the way to do it: excellent! Whether we have assigned tasks, volunteer for special tasks, or are (like the press corps) keen observers, we live and feel the unfolding drama. From the time bird-strike causes a gas to vent that's observed from inside the module to which we have video access, problems evolve that threaten first the success of the mission and then the lives of the crew. We truly get to feel that their lives are in our hands, and the message-relaying, calculations, switch-flicking and filter-testing all register as vital elements in the drama. | |||||
Further Reference: | - | |||||
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