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SEAMUS HEANEY (1939 - ) |
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Nationality: Irish Email: n/a Website: n/a |
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Literary Agent: Faber and Faber Ltd |
Seamus Heaney was born in 1939 in County Derry in Northern Ireland. He grew up in the country, on a farm, in touch with a traditional rural way of life, which he wrote about in his first book Death of a Naturalist (1966). He attended the local school and in 1951 went as a boarder to St Columb's College, about 40 miles away in Derry (the poem 'Singing School' in North refers to this period of his life). In 1956 he went on a scholarship to Queen's University, Belfast and graduated with a first class degree in English Language and Literature in 1961. After a year as a post-graduate at a college of education, and a year teaching in a secondary modern school in Ballymurphy, he was appointed to the staff of St Joseph's College of Education. In 1966 Seamus Heaney took up a lecturing post in the English Department of Queen's University, and remained there until 1972, spending the academic year 1970-71 as a visiting Professor at the University of California in Berkeley. In 1972 Seamus Heaney stopped teaching in order to devote more time to his writing, and moved with his family to Glanmore in County Wicklow, and later to Dublin. For three years he made his living as a freelance writer, presenting a radio programme for RTE and doing occasional work for the BBC and for various journals. During this period he produced the poems collected in North (1975). In September 1975 he resumed his teaching, this time at Carysfort College in Dublin. Seamus Heaney began to write in 1962, publishing first in Irish magazines. During the early and mid-sixties, he was connected with a group of writers in Belfast that included Derek Mahon, Michael Longley and James Simmons. Philip Hobsbaum ran a poetry group during these years and the poets met regularly at his house until he moved to Glasgow in 1966. After this, the meetings continued under Heaney's chairmanship until 1970, and in this later period were attended by younger poets such as Paul Muldoon, Frank Ormsby and Michael Foley. In 1968, with Michael Longley and the singer David Hammond, Seamus Heaney took part in a two-week reading tour of Northern Ireland called 'Room to Rhyme', the first in a series of such literary enterprises sponsored by the Arts Council of Northern Ireland. He was appointed to the Arts Council in the Republic of Ireland in 1974 and served until 1979. He is a member of Aosdana. Seamus Heaney has won numerous awards, including the Somerset Maugham Award (1968), the Denis Devlin Award (1973), the Duff Cooper Memorial Prize (1975), the American Irish Foundation Literary Award (1973) and the WHSmith Annual Award (1976). In 1987 he was awarded the Whitbread Poetry Award for The Haw Lantern. In 1965 he married Marie Devlin and they have three children. He is currently the Ralph Waldo Emerson Poet-in-Residence at Harvard University where he goes to teach for 6 weeks every two years. From 1989 to 1994 Seamus Heaney was Professor of Poetry at Oxford University. A collection of his Oxford Poetry Lectures entitled The Redress of Poetry was published by Faber and Faber in September 1995. November 1995 saw the publication of his co-translation of Laments, a moving Polish Classic of the sixteenth century by Jan Kochanowski. The Spirit Level, his first new collection of poems for five years, was published in May 1996. In 1997 The School Bag was published, a companion volume to The Rattle Bag, co-edited with Ted Hughes. 1999 saw the publication of his translation of Beowulf, which went on to win the Whitbread Book of the Year prize. His most recent collection of poetry, Electric Light, was published by Faber in April 2001. In 2002, Faber published a selection of his prose, Finders Keepers. In October 1995, Seamus Heaney was awarded the Nobel Prize for Literature.
Plays by Seamus Heaney
Beowulf | ||
| 1st Produced: | 2004 | |||||
Company: | n/a | |||||
| 1st Published: | Faber and Faber, London, 2002 | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #43757 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Devised Piece | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | 30 actors | |||||
Notes: | - | |||||
Synopsis: | Composed towards the end of the first millennium, the Anglo-Saxon poem Beowulf is one of the great Northern epics and a classic of European literature. In his new translation, Seamus Heaney has produced a work which is both true, line by line, to the original poem, and an expression, in its language and music, of something fundamental to his own creative gift. The poem is about encountering the monstrous, defeating it, and then having to live on, physically and psychically exposed, in that exhausted aftermath. It is not hard to draw parallels between this story and the history of the twentieth century, nor can Heaney's Beowulf fail to be read partly in the light of his Northern Irish upbringing. But it also transcends such considerations, telling us psychological and spiritual truths that are permanent and liberating. | |||||
Further Reference: | - | |||||
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Burial at Thebes, The | ||
| 1st Produced: | 2004 | |||||
Company: | ||||||
| 1st Published: | Faber and Faber, London, 2004 | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #49760 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Adaptation | |||||
| Parts: | Male | 9 | Female | 3 | ||
Parts other: | - | |||||
Notes: | Original Playwright - Sophocles. adaptation of classic tragedy, Antigone | |||||
Synopsis: | Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the 'local row' and to the fierce specificity of the play's time and place, The Burial at Thebes honours the separate and irreconcilable claims of its opposed voices, as they enact the ancient but perennial conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service. Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now. | |||||
Further Reference: | - | |||||
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Cure At Troy | ||
| 1st Produced: | Guildhall, Derry, Ireland | 1990 | ||||
Company: | Field Day Theatre Company | |||||
| 1st Published: | Faber and Faber, London, 1990 | ISBN/ASIN: | 9780374522896 | |||
| Music: | - | doollee no | #16089 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Translation | |||||
| Parts: | Male | 3 | Female | 4 | ||
Parts other: | doubling possible | |||||
Notes: | Original Playwright - Sophocles. A version of "Philoctetes" | |||||
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Further Reference: | - | |||||
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