PAUL HAGEN |
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Literary Agent: n/a |
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Plays by Paul Hagen |
Fitz & Walloughs Get It in the End | ||
| 1st Produced: | Mo Pitkin's House of Satisfaction, NY | 2007 | ||||
Company: | Beautiful Nurses | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #67680 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Musical | |||||
| Parts: | Male | 2 | Female | - | ||
Parts other: | - | |||||
Notes: | book by Paul Hagen, lyrics by Micah Bucey and music by Andrew Edwards | |||||
Synopsis: | You are cordially invited to the farewell performance of legendary duo Fitz & Walloughs. Revel as vocalist (and unabashed narcissist) Fyodr Fitz and composer Constantine Walloughs perform their greatest hits one last time. Taking a cue from VH1's Behind The Music (and perhaps taking the name a little too literally), they finally discuss the untimely, horrifying murders of Fitz's many gay lovers-tragedies that became the inspiration for their many hits | |||||
Further Reference: | - | |||||
Rape of the Lock, The | ||
| 1st Produced: | Arthur Seelen Theatre, NY | 2005 | ||||
Company: | Judith Shakespeare Company - Resurgence | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #75265 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | 2 | Female | 4 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | Written in unique rhymed couplets, Paul Hagen's The Rape of the Lock pays homage to Alexander Pope's famous satire even as it puts a 21st century spin on the story, arousing questions on the nature of men and women, art and violence. In this adaptation of his classic 18th century mock-epic poem, Alexander Pope is portrayed as the crankiest playwright ever, as five actors alternately suffer under and subvert his tyrannical direction. The 'lock' in question is a precious, perfect, curly lock of hair on the lovely and vain Belinda's head, and the 'rape' of that lock by the lustful and determined Baron involves not only a pair of scissors, but an inevitable trail of gossip, jealousy, rivalry, seduction, conquest, and revenge | |||||
Further Reference: | - | |||||

