CHRISTINA AUGELLO |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Christina Augello |
Boxcar Bertha | ||
| 1st Produced: | - - - | - - - | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #80301 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | 1 | ||
Parts other: | - | |||||
Notes: | Written by Kerry Reid with collaboration from Christina Augello and John Warren. Original incidental music by Jack "Applejack" Walroth. Based on the book "Sister of the Road: The Autobiography of Boxcar Bertha" by Dr Ben L Reitman | |||||
Synopsis: | The story of Depression Era hobo, anarchist and feminist, Bertha Thompson | |||||
Further Reference: | - | |||||
Last of the Red Hot Dadas | ||
| 1st Produced: | San Francisco | - - - | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #55021 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | - | Female | 1 | ||
Parts other: | - | |||||
Notes: | from book by Kerry Reid | |||||
Synopsis: | tells the true story of Baroness Elsa von Freytag Loringhoven. Pre-punk by 60 years, the so-called "Mama of the American Dadaist movement" was her own greatest work of art, her life an anarchic performance. Last of the Red Hot Dadas follows the Baroness's audacious exploits as either the world's most eccentric noblewoman or its most majestic bag lady | |||||
Further Reference: | - | |||||

